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- Live Sound, Stage Monitors
- Laney CXP115
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R7,995R5,995 - Specifically designed to be floor monitors from the outset and not simply just another floor mounted enclosure – each CX active monitor is engineered to give you optimal…
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- Live Sound, Stage Monitors
- Laney CXP110 FLOOR MONITOR
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R5,295R3,970 - Designed for use as either stage monitors or for front of house, the CX range of active and passive enclosures combine portability with performance making them ideal for…
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- Live Sound, Stage Monitors
- Laney CXP112
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R7,395R5,545 - Active CX monitors feature high quality road tested mixer amps featuring ultra low noise Mic and Line inputs, a Line link output – which is invaluable for spreading…
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- Live Sound, In-Ear Monitors, Stage Monitors, Headphones
- Fender FXA7 PRO IN-EAR MONITORS GOLD
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R6,795R5,095 - Designed for a premium listening experience and transparent reproduction, the FXA7 in-ear monitor is engineered for pure performance.
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- -25%
- Live Sound, Stage Monitors
- Laney CXM112
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R3,995R2,995 - Select options
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- -25%
- Live Sound, Stage Monitors
- Laney CXM110 PASSIVE STAGE MONITOR
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R2,995R2,245 - Specifically designed to be floor monitors from the outset and not simply just another floor mounted enclosure – each CX passive/active monitor is engineered to give you optimal…
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- -23%
- Live Sound, Stage Monitors
- Proel WD15A
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R8,795R6,745 - WD15A, with its full extension and powerful and deep response at the low frequencies, is the ideal monitor for bass and drums players. The horn-loaded HF section and…
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- -26%
- Live Sound, Stage Monitors
- Laney CXM115 Passive Floor Monitor
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R4,850R3,599 - CX passive monitor is engineered to give you optimal performance whatever the application ? whether in an intimate situation or on a full-scale concert stage each CX monitor…
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In a typical live scenario, the speaker get pointed towards the audience. And, the performers/band is set up behind the speakers to avoid any potential feedback issues.
By standing behind the speakers, the performers are not able to hear the same thing that the audience are hearing. And, as any performer knows, not being able to hear oneself can have a drastic negative impact on one’s performance. For that reason, the need to monitor one’s instrument is of great importance.
There are two main ways in which one can monitor their instrument and the band around them. Of which we have a great selection of. These include in-ear monitors and wedges.
In ear monitors function in the same way as regular in ear earphones do. However, they’re designed with the performer in mind and often the sound is optimised accordingly and include multiple drivers to achieve this.
Wedges are the most popular form of monitoring. And they come in many different sizes and brands. Some of these wedges can also double up as speakers too and vice versa.
