The Roland Rubix 44 Audio Interface – What makes it special?

The landscape of desktop audio interfaces is incredibly vast, with strong competition between a number of manufacturers. Focusrite, Mackie, Behringer, Presonus, and more all compete with one another based on three primary factors – number of channels, feature set, and price.

This is especially relevant in the realm of one and two channel audio interfaces, as is the common option for most beginners.

But what if you’re looking to do a little more? With more channels, a great feature set, and a competitive price, we think the Roland Rubix44 is a stand-out option.

Let’s take a look at what makes it tick.

The Channels

The most obvious feature that sets the Rubix44 apart from competition in this price point is the fact that it includes 4 Combo jack input channels, as well as 4 line level output channels.

To sweeten the deal they’ve powered these 4 channels with Roland high-quality pre-amps carefully designed for pristine sound and low-noise performance.

And perhaps even more critically, Roland have put particular emphasis on high quality AD/DA conversion, allowing  warm and clear high-resolution audio up to 24-bit/192 kHz, which is practically unheard of at this price point.

The Features

In true Roland fashion, this unit has been designed with the user in mind. 

As mentioned all the inputs include XLR combo jacks, alongside this the Hi-Z inputs let you connect a variety of sources including mics and guitars, with no need for adapters or special cables. Four individual outputs enable sophisticated routing and monitoring possibilities, like sending a click to a performer, setting up a stage monitor, or routing audio to external gear.

Dynamic sources like percussion instruments often need level taming with dynamics processing. The Rubix44 is equipped with compressor/limiters on inputs 1/2 and 3/4, ensuring clear, hot signals without clipping and unwanted distortion. The dynamics processing is completely analog, providing smooth and transparent control with zero added latency.

Monitoring is one of the most fundamentally important factors in a recording environment, and the Rubix44 addresses just that. It features quick-access knobs for adjusting the overall volume and headphones level, plus dedicated Direct Monitor controls for latency-free monitoring without having to fuss with a computer-based mixer. 

  • 4-in/4-out USB audio interface
  • 4 low-noise mic preamps with XLR combo jacks
  • Hardware compressor/limiter
  • Hi-Z input for guitar and other high impedance sources
  • MIDI In/Out ports
  • Extensively shielded, low-noise design
  • Sturdy and compact metal construction
  • Big, easy-to-read indicators show vital information
  • Low latency, class compliant drivers
  • Ground lifts for quiet operation in a variety of venues
  • Includes six months of Roland Cloud Pro membership
System
Number of Audio Record/Playback Channels
Record: 4 channels
Playback: 4 channels
Signal Processing
PC interface: 24 bits
AD/DA conversion: 24 bits
Sampling Frequency
AD/DA conversion: 44.1 kHz, 48 kHz, 96 kHz, 192 kHz
Interface
Hi-Speed USB
MIDI IN, OUT
Connectors
INPUT (1L, 2R, 3L, 4R) connectors: XLR type (balanced, phantom power: +48 V, 6 mA Max *1)
INPUT (1L, 2R, 3L, 4R) jacks *2: 1/4-inch TRS phone type (balanced)
PHONES jack: Stereo 1/4-inch phone type
OUTPUT (1L, 2R, 3L, 4R) jacks: 1/4-inch TRS phone type (impedance balanced)
MIDI (IN, OUT) connectors
USB port: USB Type B
DC IN jack
*1 Current value per channel.
*2 INPUT 1L, 3L support high impedance
Controllers
SENS 1L, 2R, 3L, 4R knobs
Hi-Z switches
48V switches
THRS knobs
COMP/LIMIT switches
DIRECT MONITOR 1/2 knob
DIRECT MONITOR 3/4 knob
MONO switches
OUTPUT knob
PHONES knob
POWER switch
GROUND LIFT switch
PHONES SOURCE switch
LOOPBACK switch
COMP/LIMIT TYPE 1/2 switch
COMP/LIMIT TYPE 3/4 switch
Indicator
Level indicators (1L, 2R, 3L, 4R)
Level indicator (COMP/LIMIT)
POWER indicator
Hi-Z indicators
48V indicators
COMP/LIMIT indicators
Characteristics
Nominal Input Level
INPUT (1L, 2R, 3L, 4R) connectors (XLR type): -60– -12 dBu
INPUT (1L, 2R, 3L, 4R) jacks (1/4-inch TRS phone type): -44–+4 dBu
Maximum Input Level
INPUT (1L, 2R, 3L, 4R) connectors (XLR type): +2 dBu
INPUT (1L, 2R, 3L, 4R) jacks (1/4-inch TRS phone type): +18 dBu
Nominal Output Level
OUTPUT (1L, 2R, 3L, 4R) jacks: -6 dBu (impedance balanced)
Maximum Output Level
OUTPUT (1L, 2R, 3L, 4R) jacks: +8 dBu (impedance balanced)
PHONES Maximum Output Power
20 mW + 20 mW (L + R, 47 ohms load)
Headroom
14 dB
Input Impedance
INPUT (1L, 2R, 3L, 4R) connectors (XLR type): 4 k ohms or greater (balanced)
INPUT (1L, 2R, 3L, 4R) jacks (1/4-inch TRS phone type): 15 k ohms or greater (balanced)
INPUT (1L, 3L) jacks (1/4-inch phone type): 500 k ohms or greater
*3 When the Hi-Z is turned on
Output Impedance
OUTPUT (1L, 2R, 3L, 4R) jacks: 2 k ohms (balanced)
PHONES jack: 47 ohms
Residual Noise Level
INPUT (1L, 2R) –> OUTPUT (1L, 2R): -94 dBu typ. (SENS 1L, SENS 2R knobs: min., input terminated with 600 ohms, IHF-A, typ.)
Dynamic Range
AD block INPUT (1L, 2R, 3L, 4R) jacks: 104 dB typ. (SENS 1L, SENS 2R knobs: min.)
DA block OUTPUT (1L, 2R, 3L, 4R) jacks: 109 dB typ.
Other
Power Supply
AC adaptor
Operating System
Microsoft(R) Windows(R) 7, Windows(R) 8, Windows(R) 8.1, Windows(R) 10
Apple Mac OS X 10.10 or later
Apple iOS 9 or later

* Although Roland has tested numerous configurations, and has determined that on average, a computer system similar to that described above will permit normal operation of the Rubix, Roland cannot guarantee that a given computer can be used satisfactorily with the Rubix based solely on the fact that it meets the above requirements. This is because there are too many other variables that may influence the processing environment, including differences in motherboard design and the particular combination of other devices involved.
Dimensions
310 (W) x 165 (D) x 46 (H) mm
12-1/4 (W) x 6-1/2 (D) x 1-13/16 (H) inches
Weight (main unit only)
1.8 kg
4 lbs
Accessories
Setup Guide
Leaflet “USING THE UNIT SAFELY”
Power cord
USB cable
* 0 dBu = 0.775 Vrms

The Price

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