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	<title>Paul Bothner Music</title>
	<atom:link href="http://bothners.co.za/feed/" rel="self" type="application/rss+xml" />
	<link>http://bothners.co.za</link>
	<description>The Musical Instrument Specialists</description>
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		<title>Planet Waves Dynaflex Hand Exerciser &#8211; For All Musicians</title>
		<link>http://bothners.co.za/products/planet-waves-dynaflex-hand-exerciser-for-all-musicians/</link>
		<comments>http://bothners.co.za/products/planet-waves-dynaflex-hand-exerciser-for-all-musicians/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:59 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Accessories]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13649</guid>
		<description><![CDATA[The Dynaflex allows you to achieve the competitive edge no matter what instrument you play. This handheld gyroscope builds and conditions hands, wrist and forearms while also increasing hand speed and endurance. it's like having a personal musicians gym in the palm of your hand.  <br /><a href="http://bothners.co.za/products/planet-waves-dynaflex-hand-exerciser-for-all-musicians/">Read More: Planet Waves Dynaflex Hand Exerciser &#8211; For All Musicians</a>]]></description>
			<content:encoded><![CDATA[<h2 style="text-align: center;"><a href="http://bothners.co.za/products/planet-waves-dynaflex-hand-exerciser-for-all-musicians/attachment/pwd/" rel="attachment wp-att-13650"><img class="aligncenter size-full wp-image-13650" title="PWD" src="http://bothners.co.za/wp-content/uploads/2012/05/PWD.jpg" alt="" width="300" height="300" /></a></h2>
<h2 style="text-align: center;">Planet Waves Dynaflex Hand Exerciser &#8211; For All Musicians</h2>
<p>The Dynaflex allows you to achieve the competitive edge no matter what instrument you play. This handheld gyroscope builds and conditions hands, wrist and forearms while also increasing hand speed and endurance. it&#8217;s like having a personal musicians gym in the palm of your hand. Simply start the rotation and then with a rocking motion, build up the gyroscopic speed and feel the burn. Great for keeping the playing muscles toned when away from your instrument or for pre-show warm up. Use in conjunction with the Planet Waves Vari-Grip for the complete finger, hands, and arm workout. This model comes equipped with motorized starting dock.</p>
<ul>
<li>Exercise and condition hands, wrists, and forearms</li>
<li>Increases hand speed</li>
<li>Improve endurance</li>
<li>Great for pre-show warm-up</li>
<li>Docking station included</li>
<li>Also available with docking station/starter</li>
</ul>
<p>Planet Waves, part of the D&#8217;Addario family of brands, is known for innovative, problem-solving, quality musical accessories. Planet Waves offers a complete line of award-winning accessories including cables, picks, tuners, capos, straps, humidifiers, maintenance tools and more.</p>
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		<item>
		<title>LP Cyclone Shaker</title>
		<link>http://bothners.co.za/products/lp-cyclone-shaker/</link>
		<comments>http://bothners.co.za/products/lp-cyclone-shaker/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:47 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Drums & Percussion]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13587</guid>
		<description><![CDATA[This must-have sound effect was designed in collaboration with percussionist Emedin Rivera. Click the link to see the demo and our featured artist, top European percussionist, Nick Bailey's biography.  <br /><a href="http://bothners.co.za/products/lp-cyclone-shaker/">Read More: LP Cyclone Shaker</a>]]></description>
			<content:encoded><![CDATA[<h3></h3>
<h2><a href="http://bothners.co.za/products/lp-cyclone-shaker/attachment/lp-cyclone-shaker/" rel="attachment wp-att-13589"><img class="aligncenter size-full wp-image-13589" title="lp-cyclone-shaker" src="http://bothners.co.za/wp-content/uploads/2012/05/lp-cyclone-shaker.jpg" alt="" width="300" height="300" /></a></h2>
<h1 style="text-align: center;">LP Cyclone Shaker</h1>
<p style="text-align: center;"><strong>Model: LP443</strong></p>
<h2>Overview</h2>
<p>This must-have sound effect was designed in collaboration with percussionist Emedin Rivera.</p>
<h2>Features:</h2>
<ul>
<li>Played by placing in hand and snapping the wrist</li>
<li>Squeezable ball allows you to control pitch and sustain</li>
</ul>
<h2 style="text-align: center;"><strong>Featured Artist: Nick Bailey</strong></h2>
<p><a href="http://bothners.co.za/products/lp-cyclone-shaker/attachment/nb/" rel="attachment wp-att-13593"><img class="aligncenter size-full wp-image-13593" title="NB" src="http://bothners.co.za/wp-content/uploads/2012/05/NB.png" alt="" width="340" height="500" /></a></p>
<div>Nick Bailey is the frontman and composer of EXTREME RHYTHM, and one of Europe’s most in-demand percussionists, constantly switching between different genres of music, with his extremely visual style of performance, balanced with a fine sensitivity to the ‘bigger musical picture’, gaining him a reputation as a top session and touring professional.</p>
<p>Nick’s performing and recording credits include Riverdance The Show, Kelly Clarkson, The X Factor, Celtic Woman, Extreme Rhythm, Now Dance Korea, The Celtic Tenors, Charlotte Church, Tommy Fleming, and Stockton’s Wing, as well as numerous freelance projects, and film scores such as “The Water Giant”, and Spike Milligan’s “Puckoon”.</p></div>
<div></div>
<div><a href="http://www.lpmusic.com/artists/artist/NickBailey">http://www.lpmusic.com/artists/artist/NickBailey</a></div>
<div></div>
<p><strong>Click the link to watch the demo:</strong></p>
<p><iframe src="http://www.youtube.com/embed/WufzDekTiSE?feature=player_embedded" frameborder="0" width="640" height="360"></iframe></p>
]]></content:encoded>
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		<item>
		<title>Zildjian&#8217;s 15&#8243; Azuka Latin Multi-Crash for Hand &amp; Stick</title>
		<link>http://bothners.co.za/products/zildjians-15-azuka-latin-multi-crash-for-hand-stick/</link>
		<comments>http://bothners.co.za/products/zildjians-15-azuka-latin-multi-crash-for-hand-stick/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:45 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Drums & Percussion]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13687</guid>
		<description><![CDATA[Played by hand or with sticks. Great dynamic range. Quick response to the lightest touch. Opens up for full crash sound. Add a three rivet cluster for a great sizzle effect. <br /><a href="http://bothners.co.za/products/zildjians-15-azuka-latin-multi-crash-for-hand-stick/">Read More: Zildjian&#8217;s 15&#8243; Azuka Latin Multi-Crash for Hand &#038; Stick</a>]]></description>
			<content:encoded><![CDATA[<h2 style="text-align: center;"><a href="http://bothners.co.za/products/zildjians-15-azuka-latin-multi-crash-for-hand-stick/attachment/zil-azuka-multicrash/" rel="attachment wp-att-13689"><img class="aligncenter size-full wp-image-13689" title="zil-azuka-multicrash" src="http://bothners.co.za/wp-content/uploads/2012/05/zil-azuka-multicrash.jpg" alt="" width="400" height="350" /></a></h2>
<h2 style="text-align: center;">Zildjian&#8217;s 15&#8243; Azuka Latin Multi-Crash for Hand &amp; Stick</h2>
<div id="plh_main_content_0_pnlBreadcrumb" style="text-align: center;"><a href="http://zildjian.com/Products/Drumset-Cymbals">DRUMSET CYMBALS</a> / <a id="plh_main_content_0_ctl03" href="http://zildjian.com/Products/Drumset-Cymbals/Cast-Bronze-Cymbals">CAST BRONZE CYMBALS</a> / <a id="plh_main_content_0_ctl05" href="http://zildjian.com/Products/Drumset-Cymbals/Cast-Bronze-Cymbals/FX-Series">FX SERIES</a></div>
<p>Played by hand or with sticks. Great dynamic range. Quick response to the lightest touch. Opens up for full crash sound. Add a three rivet cluster for a great sizzle effect.</p>
<p>The Azuka Latin Multi-Crash Hand &amp; Stick was the first cymbal to be designed to be played with the hand, providing conga and bongo players with cymbal sound colors for the first time.</p>
<p>Zildjian teamed up with Alex Acuna to create the Azuka cymbal line especially made for Latin Percussionists. &#8220;When I add percussion to my drumset, I often play congas and bongos with my left hand and the rest of the kit with a stick in my right. For years, I wanted to be able to play a cymbal with my left hand. Then I thought, a cymbal that you could play with your left hand would open up a whole new world of sound for all Latin Percussionists.&#8221;</p>
<h2>Technical Specifications</h2>
<div>
<ul>
<li><strong>CATEGORY:</strong> FX SERIES</li>
<li><strong>SKU: </strong>A20015</li>
<li><strong>TYPE:</strong> AZUKA</li>
<li><strong>SIZE: </strong>15 IN. / 38.1 CM.</li>
<li><strong>WEIGHT:</strong> PAPER THIN</li>
<li><strong>FINISH: </strong>BRILLIANT FINISH</li>
<li><strong>BELL SIZE: </strong>SMALL</li>
<li><strong>PROFILE:</strong> MEDIUM-HIGH</li>
<li><strong>PITCH:</strong> MID TO HIGH</li>
<li><strong>SOUND</strong>: BRIGHT/MID</li>
<li><strong>VOLUME: </strong>SOFT</li>
<li><strong>BALANCE:</strong> BLEND</li>
<li><strong>SUSTAIN:</strong> SHORT</li>
<li><strong>SKILL LEVEL:</strong> ADVANCED, BEGINNER, INTERMEDIATE, PROFESSIONAL</li>
</ul>
</div>
]]></content:encoded>
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		<item>
		<title>The Takamine EF341SC &#8211; Acoustic Electric</title>
		<link>http://bothners.co.za/products/the-takamine-ef341sc-acoustic-electric/</link>
		<comments>http://bothners.co.za/products/the-takamine-ef341sc-acoustic-electric/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:32 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Guitars]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13676</guid>
		<description><![CDATA[The EF341SC dreadnought is handcrafted in their pro series facility that has been building precision quality instruments over five decades. This guitar has been the choice of pro musicians of all genres. The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. <br /><a href="http://bothners.co.za/products/the-takamine-ef341sc-acoustic-electric/">Read More: The Takamine EF341SC &#8211; Acoustic Electric</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://bothners.co.za/products/the-takamine-ef341sc-acoustic-electric/attachment/takamine-acoustic/" rel="attachment wp-att-13677"><img class="aligncenter size-full wp-image-13677" title="Takamine Acoustic" src="http://bothners.co.za/wp-content/uploads/2012/05/Takamine-Acoustic.jpg" alt="" width="395" height="160" /></a></p>
<h1 style="text-align: center;">Takamine EF341SC &#8211; Cutaway Acoustic Electric Guitar</h1>
<p>The EF341SC dreadnought is handcrafted in their pro series facility that has been building precision quality instruments over five decades. This guitar has been the choice of pro musicians of all genres.</p>
<p>The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. The maple back and sides are a perfect reflector for the tone generated by the soundboard and the gloss black finish looks great under the stage lights.</p>
<p>The mahogany neck is joined to the body with a traditional, ultra strong dovetail joint. Includes Takamine’s Palathetic™ pickup, known in the industry as one of the most accurate and natural sounding acoustic/electric pickups.</p>
<p>The CT4B preamp has long been the popular choice among Takamine pro artists, providing warm natural acoustic tone at high sound pressure levels</p>
<h2>Specifications</h2>
<p><strong>Body Shape:</strong> Dreadnought</p>
<p><strong>Rosette:</strong> Concentric Rings</p>
<p><strong>Top: </strong>Solid Cedar</p>
<p><strong>Inlays:</strong> Snowflake</p>
<p><strong>Back &amp; Sides:</strong> Maple</p>
<p><strong>Fingerboard:</strong> Rosewood</p>
<p><strong>Electronics:</strong> Graph-EX</p>
<p><strong>Tuners:</strong> Chrome</p>
<p><strong>Features:</strong> Bound fretboard</p>
]]></content:encoded>
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		<title>Proel&#8217;s EDGE8CXP &#8211; Compact 2-way Coaxial Full-range Speaker</title>
		<link>http://bothners.co.za/products/proels-edge8cxp-compact-2-way-coaxial-full-range-speaker/</link>
		<comments>http://bothners.co.za/products/proels-edge8cxp-compact-2-way-coaxial-full-range-speaker/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:30 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[P.A. Gear / Live Sound Reinforcement]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13616</guid>
		<description><![CDATA[The EDGE8CXP is a diffusion system with the characteristics of being truly compact and versatile. The custom made co-axial speaker has been developed on the specifics of the PROEL Research and Design laboratory. The results have been aimed at producing the best performance from an 8'' woofer combined with a 1'' driver.  <br /><a href="http://bothners.co.za/products/proels-edge8cxp-compact-2-way-coaxial-full-range-speaker/">Read More: Proel&#8217;s EDGE8CXP &#8211; Compact 2-way Coaxial Full-range Speaker</a>]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center;"><a href="http://bothners.co.za/products/proels-edge8cxp-compact-2-way-coaxial-full-range-speaker/attachment/edge8cxpb-2/" rel="attachment wp-att-13619"><img class="aligncenter size-full wp-image-13619" title="Edge8CXPB" src="http://bothners.co.za/wp-content/uploads/2012/05/Edge8CXPB1.jpg" alt="" width="222" height="240" /></a></h1>
<h1 style="text-align: center;">Proel&#8217;s EDGE8CXP<br />
Compact 2-way Coaxial Full-range Speaker</h1>
<p>The EDGE8CXP is a diffusion system with the characteristics of being truly compact and versatile. The custom made co-axial speaker has been developed on the specifics of the PROEL Research and Design laboratory. The results have been aimed at producing the best performance from an 8&#8221; woofer combined with a 1&#8221; driver.</p>
<p>The woofer is comprised of an ISV (Interleaved Sandwich Voice Coil) and an aluminium casing. The double ventilated die-cast basket has been designed the have improved heat dissipation and thereby reduce the power compression level. The compression driver provides better excursion control and reduces distortion through use of Ferro-fluid. The diaphragm has been constructed with a new synthetic material which, together with the reinforced radius design increases the rigidity and thereby avoiding the formation of uncontrolled vibrations. The phase plug is the result of a meticulous study and has been designed using 3D CAD software to realise a shape that guarantees a correct acoustic impedance which reduces dramatically the levels of distortion. The pressed Aluminium voice coil assures low distortion and high efficiency with good power handling. The EDGE8CXP has an internal 12dB per octave passive crossover with a PTC electronic protection.</p>
<h2>Specifications</h2>
<table width="100%">
<colgroup>
<col width="30%" />
<col width="70%" /></colgroup>
<tbody>
<tr>
<td>System type</td>
<td>Coaxial 2-way vented enclosure</td>
</tr>
<tr>
<td>Nominal Impedance</td>
<td>8 ohm</td>
</tr>
<tr>
<td>Input power rating (AES)</td>
<td>225 W</td>
</tr>
<tr>
<td>Input power rating (program)</td>
<td>450 W</td>
</tr>
<tr>
<td>Frequency response</td>
<td>80 Hz &#8211; 20 kHz (-6dB, +6dB)</td>
</tr>
<tr>
<td>Sensitivity</td>
<td>95 dB SPL ( 2.83V @ 1m )</td>
</tr>
<tr>
<td>Maximum (peak) Output</td>
<td>121 dB @ 1m</td>
</tr>
<tr>
<td>Low Frequency Device</td>
<td>8&#8221; woofer &#8211; 2&#8221; voice coil</td>
</tr>
<tr>
<td>High Frequency Device</td>
<td>1&#8221; compression driver &#8211; coaxial</td>
</tr>
<tr>
<td>Coverage Angle H. (-6 dB)</td>
<td>85° averaged, 1 kHz to 20 kHz</td>
</tr>
<tr>
<td>Coverage Angle V. (-6 dB)</td>
<td>85° averaged, 1 kHz to 20 kHz</td>
</tr>
<tr>
<td>Monitor Taper</td>
<td>45°</td>
</tr>
<tr>
<td>Directivity Index (DI)</td>
<td>9.7 averaged, 1 kHz to 20 kHz</td>
</tr>
<tr>
<td>Flying System</td>
<td>4 x M10 &#8211; top, bottom, rear</td>
</tr>
<tr>
<td>Connectors</td>
<td>2 Neutrik Speakon NL4MP paralleled, 1+ IN+, 1- IN-</td>
</tr>
<tr>
<td>Construction</td>
<td>15mm birch plywood</td>
</tr>
<tr>
<td>Finishing</td>
<td>Paint finish</td>
</tr>
<tr>
<td>Cabinet Colour</td>
<td>Black</td>
</tr>
<tr>
<td>Mounting Pole</td>
<td>1 x bottom</td>
</tr>
<tr>
<td>Weight</td>
<td>10 kg (22.050 lb)</td>
</tr>
<tr>
<td>Dimensions (W x H x D)</td>
<td>26 x 33 x 28 cm</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<title>The AKAI Analog Delay Pedal</title>
		<link>http://bothners.co.za/products/the-akai-analog-delay-pedal/</link>
		<comments>http://bothners.co.za/products/the-akai-analog-delay-pedal/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:27 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Instrument effects]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13553</guid>
		<description><![CDATA[The Akai Professional Analog The Akai Professional Analog Delay, part of the Analog Custom Shop product line, is essential ammo in the modern guitarists effects pedal arsenal. Analog Delay provides three-dimensional control in heavy-duty polished stainless-steel housing. True-bypass switching, adjustable Mix, Time and Repeat knobs and a durable Time Switch toggle provide precision delay control. <br /><a href="http://bothners.co.za/products/the-akai-analog-delay-pedal/">Read More: The AKAI Analog Delay Pedal</a>]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center;"><a href="http://bothners.co.za/products/the-akai-analog-delay-pedal/attachment/a-delay/" rel="attachment wp-att-13554"><img class="aligncenter size-full wp-image-13554" title="A Delay" src="http://bothners.co.za/wp-content/uploads/2012/05/A-Delay.jpg" alt="" width="399" height="399" /></a></h1>
<h1 style="text-align: center;"><span style="color: #333399;">The AKAI Analog Delay Pedal</span></h1>
<h2></h2>
<h2>Classic Tone from the AKAI Company</h2>
<p><strong>Up to 1200ms of real analog delay.</strong></p>
<p>The Akai Professional Analog The Akai Professional Analog Delay, part of the Analog Custom Shop product line, is essential ammo in the modern guitarists effects pedal arsenal. Analog Delay provides three-dimensional control in heavy-duty polished stainless-steel housing. True-bypass switching, adjustable Mix, Time and Repeat knobs and a durable Time Switch toggle provide precision delay control.</p>
<p>Analog Delay’s toggle-switch adjusts the Time knob so that it functions between 0-600ms or 0-1200ms of delay. This range of settings encompasses delay sounds evocative of the classic slap-back popularized by rockabilly and surf to the urgent, atmospheric echo which prevailed in the ‘80s and remains popular today.</p>
<p>Three knobs are the heart of Analog Delay’s precision control. Mix allows guitarists to dial in the precise amount of delay effect for the current performance. In association with the Time Switch toggle, the Time knob controls the length between repeats. Repeat controls how many duplicates of the source sound are generated. Using Mix, Time and Repeat knobs in conjunction provides a multitude of delay styles ranging from spacey freedom to direct duplication and everything in-between.</p>
<p>Analog Delay is powered by the included 9-volt battery or 9v DC adapter (sold separately).</p>
<p>The Analog Custom Shop consists of these pedals: <a href="http://www.akaipro.com/phaseshifter" target="_blank">Phase Shifter</a>,<a href="http://www.akaipro.com/analogdelay" target="_blank"> Analog Delay</a>, <a href="http://www.akaipro.com/bluesoverdrive" target="_blank">Blues Overdrive</a>, <a href="http://www.akaipro.com/chorus" target="_blank">Chorus</a>, <a href="http://www.akaipro.com/compressor" target="_blank">Compressor</a>, <a href="http://www.akaipro.com/drive3overdrive" target="_blank">DRIVE <sup>3</sup> Overdrive</a>, <a href="http://www.akaipro.com/deluxedistortion" target="_blank">Deluxe Distortion</a>, <a href="http://www.akaipro.com/flanger" target="_blank">Flanger</a>, <a href="http://www.akaipro.com/drive3fuzz" target="_blank">DRIVE <sup>3</sup> Fuzz</a>, and <a href="http://www.akaipro.com/drive3distortion" target="_blank">DRIVE <sup>3</sup> Distortion</a>.</p>
<h2>Key Features</h2>
<ul>
<li>True analog BBD design for a vintage sound</li>
<li>Short and long modes for up to 1.1 seconds of delay</li>
<li>Solid metal chassis and vintage knobs</li>
<li>True Bypass for retaining a pure signal when the effect is disengaged</li>
</ul>
<p><strong>Includes:</strong></p>
<ul>
<li>Analog Delay pedal</li>
<li>9V battery</li>
<li>Quick start guide</li>
</ul>
<p><iframe src="http://www.youtube.com/embed/3XZbE5FH1lE?feature=player_embedded" frameborder="0" width="640" height="360"></iframe></p>
]]></content:encoded>
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		<title>ALESIS QX49 MIDI Controller Keyboard</title>
		<link>http://bothners.co.za/products/alesis-qx49-midi-controller-keyboard/</link>
		<comments>http://bothners.co.za/products/alesis-qx49-midi-controller-keyboard/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:20 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Keyboards]]></category>
		<category><![CDATA[MIDI Controllers]]></category>
		<category><![CDATA[Products]]></category>
		<category><![CDATA[Studio & Recording]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13561</guid>
		<description><![CDATA[The QX49 provides keyboard players with a full compliment of controls including pitch and modulation wheels, octave up/down buttons and the ability to send program changes directly from the keys. The QX49's keyboard can even be split into sections to control multiple instruments at once! <br /><a href="http://bothners.co.za/products/alesis-qx49-midi-controller-keyboard/">Read More: ALESIS QX49 MIDI Controller Keyboard</a>]]></description>
			<content:encoded><![CDATA[<h2><a href="http://bothners.co.za/products/alesis-qx49-midi-controller-keyboard/attachment/q49/" rel="attachment wp-att-13562"><img class="aligncenter size-full wp-image-13562" title="Q49" src="http://bothners.co.za/wp-content/uploads/2012/05/Q49.jpg" alt="" width="225" height="225" /></a></h2>
<h1 style="text-align: center;">ALESIS QX49 MIDI Controller Keyboard</h1>
<h2>Overview</h2>
<p><strong>Total production control.</strong></p>
<p>Take commanding, tactile control over any parameter of your favorite music software with the QX49. Through standard USB connection, the QX49 receives power while also transmitting MIDI data to your Mac or PC software or hardware device of choice. Punch out a drumbeat on great-feeling pads, open up a filter with smooth, tight knobs, or adjust volume and playback of sequencing software with long faders and snappy buttons. QX49&#8242;s immense parameter control and velocity-sensitive keyboard get your hands off of the mouse and into the action for a more efficient, visceral music-making experience.</p>
<p>With a 49-note keyboard, the QX49&#8242;s pitch range is perfect for performing with software instruments and samplers while still remaining highly portable. Furthermore, the QX49 provides keyboard players with a full compliment of controls including pitch and modulation wheels, octave up/down buttons and the ability to send program changes directly from the keys. The QX49&#8242;s keyboard can even be split into sections to control multiple instruments at once!</p>
<p>The QX49&#8242;s array of assignable controls work with virtually all music software and MIDI hardware devices. Whether you&#8217;re looking to fire drum samples, tweak a software synthesizer or adjust individual tracks in a mix, the QX49&#8242;s extensive layout ensures appropriate feel and proper response with its eight sliders and rotary knobs, four backlit drum pads and dedicated transport controls.</p>
<p>The compact controller features USB-MIDI and traditional MIDI jacks for easy connection to Mac, PC and MIDI hardware. The QX49 also has two traditional MIDI jacks: one for sending MIDI data directly from the keyboard and the other for routing MIDI data from a connected computer. When not using a computer, the QX49 can also be powered using a wall power adaptor (sold separately) to perform and control MIDI hardware. A footswitch input is also included on the back panel.</p>
<p>The QX49 comes with a copy of Ableton Live Lite Alesis Edition software for performing, recording, and sequencing music right out of the box. The QX49 is also the perfect choice for controlling hardware MIDI devices. Its compact size and portability make it ideal for fitting into existing rigs and then hitting the road. Place it a tier above an existing workstation keyboard and utilize QX49&#8242;s streamlined layout to maximize your sound and performance options.</p>
<p>Start taking full control of your favorite music software or hardware devices with the QX49.</p>
<p><strong><em><small>Ableton is a trademark of Ableton AG</small></em></strong></p>
<h2>Key Features</h2>
<ul>
<li>49-key keyboard controller for use with virtually all Mac and PC music software and MIDI devices</li>
<li>Velocity-sensitive keys with modulation and pitch-bend wheels</li>
<li>Eight faders perfect for adjusting volume or synth parameters</li>
<li>Four drum pads for triggering samples, loops and sequencing drums</li>
<li>Eight knobs ideal for adjusting pan position or any other parameter</li>
<li>Six assignable buttons for triggering software controls</li>
<li>USB-MIDI and traditional MIDI for use with Mac and PC, as well as MIDI hardware</li>
<li>Includes Ableton Live Lite Alesis Edition software included for instant recording, sequencing, and performing</li>
<li>Works with iPad via Apple USB Adaptor <small>(sold separately)</small></li>
<li>Bus-powered via USB, so you won&#8217;t need a power cable</li>
</ul>
<p><strong>INCLUDES:</strong></p>
<ul>
<li>QX49 keyboard controller</li>
<li>USB cable</li>
<li>Quick start guide</li>
</ul>
<h2>Specifications</h2>
<table>
<tbody>
<tr valign="top">
<td><strong>Keyboard:</strong></td>
<td>49 keys</td>
</tr>
<tr valign="top">
<td><strong>Included Accessories:</strong></td>
<td>QuickStart Guide, USB cable</td>
</tr>
<tr valign="top">
<td><strong>MIDI Outputs:</strong></td>
<td>1 5-pin jack</td>
</tr>
<tr valign="top">
<td><strong>USB:</strong></td>
<td>1 slave connector (MIDI over USB)</td>
</tr>
<tr valign="top">
<td><strong>Power:</strong></td>
<td>USB bus powered; Optional Power Adapter: 9V DC 500mA, Pin Positive, 5.5mm outer diameter (not included)</td>
</tr>
<tr valign="top">
<td><strong>Dimensions:</strong></td>
<td>(WxDxH) 32&#8243; x 9&#8243; x 3&#8243;</td>
</tr>
<tr valign="top">
<td><strong>Weight:</strong></td>
<td>5.9 lbs</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<p>&nbsp;</p>
]]></content:encoded>
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		<title>Charvel Desolation™ DST-1 FR</title>
		<link>http://bothners.co.za/products/charvel-desolation-dst-1-fr/</link>
		<comments>http://bothners.co.za/products/charvel-desolation-dst-1-fr/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:14 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Guitars]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13566</guid>
		<description><![CDATA[With a variety of features and finishes prized by discerning players everywhere, both deadly models deliver the devastating tone, killer looks and high-performance playability that separate the Desolation series from all others. <br /><a href="http://bothners.co.za/products/charvel-desolation-dst-1-fr/">Read More: Charvel Desolation™ DST-1 FR</a>]]></description>
			<content:encoded><![CDATA[<h1><a href="http://bothners.co.za/products/charvel-desolation-dst-1-fr/attachment/dst1fr-white/" rel="attachment wp-att-13567"><img class="aligncenter size-full wp-image-13567" title="DST1FR White" src="http://bothners.co.za/wp-content/uploads/2012/05/DST1FR-White.jpg" alt="" width="397" height="144" /></a></h1>
<h1 style="text-align: center;">Charvel Desolation™ DST-1 FR</h1>
<p>Two classic Charvel body shapes return in sleekly modern Desolation series form with the introduction of new Desolation Star DST and Soloist DX guitars. With a variety of features and finishes prized by discerning players everywhere, both deadly models deliver the devastating tone, killer looks and high-performance playability that separate the Desolation series from all others.</p>
<p>The Desolation Star DST-1 FR features the return of Charvel’s classic Star body profile, with features including a through-body maple neck, compound radius (12”-16”) rosewood fingerboard with 24 jumbo frets and Charvel “shark tooth” inlays, EMG® 85 (neck) and 81 (bridge) humbucking pickups with black bezels and three-way toggle switching, single domed metal volume control knob, Floyd Rose® locking tremolo, sealed die-cast tuners and black nickel hardware. Available in Black and Snow White gloss finishes with matching headstock; flame maple-top models also available with multi-ply binding (body, neck and headstock) in Trans Red, Trans Black and Trans Blue Smear gloss finishes with matching headstock.</p>
<table cellspacing="0" cellpadding="0">
<tbody>
<tr>
<td colspan="2">
<h4>General</h4>
</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Model Name</strong>:</td>
<td>Desolation™ DST-1 FR</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Model Number</strong>:</td>
<td>293141159</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Series</strong>:</td>
<td>Desolation™</td>
</tr>
<tr>
<td colspan="2">
<h4>Body</h4>
</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Body</strong>:</td>
<td>Mahogany</td>
</tr>
<tr>
<td colspan="2">
<h4>Neck</h4>
</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Number of Frets</strong>:</td>
<td>24</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Fret Size</strong>:</td>
<td>Jumbo</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Position Inlays</strong>:</td>
<td>Abalam Shark Tooth</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Fretboard Radius</strong>:</td>
<td>12” to 16” Compound Radius (304.8 mm to 406.4 mm)</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Neck Material</strong>:</td>
<td>Maple</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Neck Finish</strong>:</td>
<td>Gloss</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Nut Width</strong>:</td>
<td>1.6875&#8243; (43 mm)</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Scale Length</strong>:</td>
<td>25.5&#8243; (64.8 cm)</td>
</tr>
<tr>
<td colspan="2">
<h4>Fingerboard and Color Options</h4>
</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Part Number</strong>:</td>
<td>2931411503, 2931411596, 2931411557, 2931411586, 2931411590</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Color</strong>:</td>
<td>(503) Black<br />
(596) Snow White<br />
(557) Transparent Black<br />
(586) Transparent Blue Smear<br />
(590) Transparent Red</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Fretboard</strong>:</td>
<td>Rosewood</td>
</tr>
<tr>
<td colspan="2">
<h4>Electronics</h4>
</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Pickup Configuration</strong>:</td>
<td>H/H</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Bridge Pickup</strong>:</td>
<td>EMG® 81 Humbucking Pickup (Bridge)</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Neck Pickup</strong>:</td>
<td>EMG® 85 Humbucking Pickup (Neck)</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Pickup Switching</strong>:</td>
<td>3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Controls</strong>:</td>
<td>Master Volume</td>
</tr>
<tr>
<td colspan="2">
<h4>Hardware</h4>
</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Hardware</strong>:</td>
<td>Black Nickel</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Bridge</strong>:</td>
<td>Recessed Floyd Rose® FRT-O2000 Double-Locking Tremolo</td>
</tr>
<tr>
<td colspan="2">
<h4>Miscellaneous</h4>
</td>
</tr>
<tr>
<td valign="top" nowrap="nowrap" width="125"><strong>Unique Features</strong>:</td>
<td>Floyd Rose® Locking Tremolo, Compound Radius Fingerboard with 24 Jumbo Frets, Sealed Die-Cast Tuners, Through-Body Neck and Shark Tooth Inlays</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<title>The Squier Vintage Modified Jaguar Bass Special &#8211; HB</title>
		<link>http://bothners.co.za/products/the-squier-vintage-modified-jaguar-bass-special-hb/</link>
		<comments>http://bothners.co.za/products/the-squier-vintage-modified-jaguar-bass-special-hb/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:13 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Bass]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13574</guid>
		<description><![CDATA[The all-new Vintage Modified Jaguar Bass Special HB puts classic Fender® looks into a distinctively sharp-looking, great-sounding and super-versatile Squier bass model. <br /><a href="http://bothners.co.za/products/the-squier-vintage-modified-jaguar-bass-special-hb/">Read More: The Squier Vintage Modified Jaguar Bass Special &#8211; HB</a>]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center;"><a href="http://bothners.co.za/products/the-squier-vintage-modified-jaguar-bass-special-hb/attachment/squier-vm2-2/" rel="attachment wp-att-13576"><img class="aligncenter size-full wp-image-13576" title="Squier VM2" src="http://bothners.co.za/wp-content/uploads/2012/05/Squier-VM21.jpg" alt="" width="396" height="141" /></a></h1>
<h1 style="text-align: center;">The Squier Vintage Modified Jaguar Bass Special &#8211; HB</h1>
<p>The all-new Vintage Modified Jaguar Bass Special HB puts classic Fender® looks into a distinctively sharp-looking, great-sounding and super-versatile Squier bass model. Features include a sleek offset-waist body, ultra-slim fast-action neck, powerful high-output humbucking pickup and a three-band active tone circuit that delivers a versatile wealth of tonal options just right for any bass sound and style. Superior tone, smooth playability, great comfort and fantastic value.</p>
<h2>General</h2>
<p><strong>Model Name:</strong> <strong></strong>Vintage Modified Jaguar® Bass Special HB</p>
<p><strong>Series</strong>: Vintage Modified</p>
<p><strong>Model Number:</strong></p>
<ul>
<li><strong>Candy Apple Red</strong> 032-8700-509</li>
</ul>
<p><strong>Body</strong>: Agathis</p>
<p><strong>Body Shape</strong>: Jaguar®</p>
<h4><strong>Body Finish</strong>:</h4>
<ul>
<li>(0328700506, 0328700509, 0328700591) Polyurethane</li>
</ul>
<p><strong>Neck Shape</strong>: &#8220;C&#8221; Shape</p>
<p><strong>Number of Frets</strong>: 20</p>
<p><strong>Fret Size</strong>: Medium Jumbo</p>
<p><strong>Fretboard Radius</strong>: 9.5&#8243; (24.1 cm)</p>
<p><strong>Fretboard</strong>: Rosewood</p>
<p><strong>Neck Material</strong>: Maple</p>
<p><strong>Neck Finish</strong>: Polyurethane</p>
<p><strong>Nut Width</strong>: 1.5&#8243; (38.1 mm)</p>
<p><strong>Scale Length</strong>: 34&#8243; (86.36 cm)</p>
<p><strong>Bridge Pickup</strong>: Single High Output Humbucking Pickup</p>
<p><strong>Special Electronics</strong>: 3-Band Active Tone Circuit</p>
<p><strong>Controls</strong>: Volume, Treble, Mid, Bass</p>
<p><strong>Hardware</strong>: Chrome</p>
<p><strong>Bridge</strong>: Standard 4-Saddle</p>
<p><strong>Strings</strong>: Gauges .045, .065, .085, .105</p>
<p><strong>Unique Features</strong>: 3-Band Active Tone Circuit, 3-Ply Black/White/Black pickguard</p>
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		<title>Native Instruments Audio 4 DJ</title>
		<link>http://bothners.co.za/products/native-instruments-audio-4-dj/</link>
		<comments>http://bothners.co.za/products/native-instruments-audio-4-dj/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:04 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Products]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Studio & Recording]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13656</guid>
		<description><![CDATA[This Audio Interface is designed for DJ's. Includes the Traktor 3 LE software, to stimulate your musical neurons plus the convenience of a compact and truly high-quality device, the kind you'd expect from Native Instruments.  <br /><a href="http://bothners.co.za/products/native-instruments-audio-4-dj/">Read More: Native Instruments Audio 4 DJ</a>]]></description>
			<content:encoded><![CDATA[<h2 style="text-align: center;"><a href="http://bothners.co.za/products/native-instruments-audio-4-dj/attachment/a4dj/" rel="attachment wp-att-13657"><img class="aligncenter size-full wp-image-13657" title="A4DJ" src="http://bothners.co.za/wp-content/uploads/2012/05/A4DJ.jpg" alt="" width="399" height="345" /></a></h2>
<h1 style="text-align: center;"><span style="color: #6c6cb5;">Native Instruments Audio 4 DJ</span></h1>
<p><strong>Audio 4 DJ USB 2.0 Audio Interface for DJ&#8217;s PLUS Traktor 3 LE</strong></p>
<p><strong></strong>This Audio Interface is designed for DJ&#8217;s. Includes the Traktor 3 LE software, to stimulate your musical neurons plus the convenience of a compact and truly high-quality device, the kind you&#8217;d expect from Native Instruments.</p>
<div>
<h2>Features</h2>
<ul>
<li>4 hi-gain inputs and outputs on both Jack and Phono connections</li>
<li>Reliable and mobile design</li>
<li>Allows live recording</li>
<li>Facilitates digitization of vinyl recordings</li>
<li>USB 2.0</li>
</ul>
<p>Native Instruments Audio 4 DJ&#8217;s four switchable inputs and four hi-gain outputs allows you to connect your DJ  software to an external mixer or PA. A high quality 1/4&#8243; headphone jack with an independent volume knob is included.</p>
<h2>More Details</h2>
<ul>
<li>Eight status LEDs for typical audio-visual interaction with the software.</li>
<li>Great sound quality as a result of the super high-end Cirrus Logic® AD/DA converters.</li>
<li>Ultra low-latency drivers</li>
<li>Hi-gain output levels (providing up to 9.7 dBu on all channels)</li>
<li>Ultra-wide frequency response</li>
<li>Includes NI Traktor 3 LE, Traktor Pro (Demo), Kore Player and Kore Soundpack Software.</li>
</ul>
</div>
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		<title>The Markbass STD104HF &#8211; 4 x 10 Bass Cabinet</title>
		<link>http://bothners.co.za/products/the-markbass-std104hf-4-x-10-bass-cabinet/</link>
		<comments>http://bothners.co.za/products/the-markbass-std104hf-4-x-10-bass-cabinet/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:30:00 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Guitar and bass amps]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13596</guid>
		<description><![CDATA[The Standard 104HF is one of our most popular cabinets and, for many players, it sets a new standard for 4x10s. Hear the miracle of neodymium speakers by playing through this cabinet... then FEEL the miracle when you pick it up!  <br /><a href="http://bothners.co.za/products/the-markbass-std104hf-4-x-10-bass-cabinet/">Read More: The Markbass STD104HF &#8211; 4 x 10 Bass Cabinet</a>]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center;"><a href="http://bothners.co.za/products/the-markbass-std104hf-4-x-10-bass-cabinet/attachment/std104/" rel="attachment wp-att-13597"><img class="aligncenter size-full wp-image-13597" title="STD104" src="http://bothners.co.za/wp-content/uploads/2012/05/STD104.jpg" alt="" width="325" height="325" /></a></h1>
<h1 style="text-align: center;">Markbass STD104HF &#8211; 4 x 10 Bass Cabinet</h1>
<div>The Standard 104HF is one of our most popular cabinets and, for many players, it sets a new standard for 4x10s. Hear the miracle of neodymium speakers by playing through this cabinet&#8230; then FEEL the miracle when you pick it up! The Standard 104HF is a leader in its field due to its sound, power and portability. But you don&#8217;t have to trust us; let your ears and your lower back be the judge!</div>
<div>All Markbass cabinets contain ultra-light neodymium speakers. This cabinet is available in both 8 ohm (STD104HF-8) and 4 ohm (STD104HF-4) versions.</div>
<div></div>
<div><a href="http://bothners.co.za/products/the-markbass-std104hf-4-x-10-bass-cabinet/attachment/std104hf/" rel="attachment wp-att-13598"><img class="aligncenter size-full wp-image-13598" title="STD104HF" src="http://bothners.co.za/wp-content/uploads/2012/05/STD104HF.jpg" alt="" width="400" height="256" /></a></div>
<div>
<div><img src="http://www.markbass.it/images/file_types/pdf.png" alt="" align="absmiddle" /> Bass Player review</div>
<p><a href="http://www.markbass.it/upload_area/files/fname/33_allegato_1.pdf" target="_blank">33_allegato_1.pdf</a> (Size: 3108.7 kb)</div>
<div>
<div><img src="http://www.markbass.it/images/file_types/pdf.png" alt="" align="absmiddle" /> Bass Guitar review</div>
<p><a href="http://www.markbass.it/upload_area/files/fname/33_allegato_2.pdf" target="_blank">33_allegato_2.pdf</a> (Size: 3353.3 kb)</div>
<h2>Specifications:</h2>
<div><strong>IMPEDANCE</strong></div>
<div>8 or 4 ohms<br />
<strong>SPEAKER SIZE</strong><br />
4&#215;10 in.<br />
<strong>BASS PORTS</strong><br />
front<br />
<strong>TWEETER</strong><br />
1&#8243; compression driver with custom horn<br />
<strong>POWER HANDLING</strong><br />
800W RMS (AES Standard)<br />
<strong>CROSSOVER FREQUENCY</strong><br />
3.5 kHz<br />
<strong>FREQUENCY RESPONSE</strong><br />
35 Hz to 20 kHz<br />
<strong>SENSITIVITY</strong><br />
103 dB SPL<br />
<strong>WEIGHT</strong><br />
65.92 lbs / 29.9 kg<br />
<strong>WIDTH</strong><br />
23.39 in. / 59.4 cm<br />
<strong>HEIGHT</strong><br />
29.13 in. / 73.9 cm<br />
<strong>DEPTH</strong><br />
18.9 in. / 48 cm</p>
<p><strong>Product specifications are subject to change without notice.</strong></div>
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		<title>RØDE NT55 &#8211; Compact 1/2&#8243; Cardioid Condenser Microphone with HPF and PAD</title>
		<link>http://bothners.co.za/products/rode-nt55-compact-12-cardioid-condenser-microphone-with-hpf-and-pad/</link>
		<comments>http://bothners.co.za/products/rode-nt55-compact-12-cardioid-condenser-microphone-with-hpf-and-pad/#comments</comments>
		<pubDate>Mon, 14 May 2012 06:25:52 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[microphones]]></category>
		<category><![CDATA[Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13644</guid>
		<description><![CDATA[The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter. <br /><a href="http://bothners.co.za/products/rode-nt55-compact-12-cardioid-condenser-microphone-with-hpf-and-pad/">Read More: RØDE NT55 &#8211; Compact 1/2&#8243; Cardioid Condenser Microphone with HPF and PAD</a>]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center;"><a href="http://bothners.co.za/products/rode-nt55-compact-12-cardioid-condenser-microphone-with-hpf-and-pad/attachment/nt55/" rel="attachment wp-att-13645"><img class="aligncenter size-full wp-image-13645" title="NT55" src="http://bothners.co.za/wp-content/uploads/2012/05/NT55.jpg" alt="" width="396" height="396" /></a></h1>
<h1 style="text-align: center;">RØDE NT55</h1>
<h2 style="text-align: center;">Compact 1/2&#8243; Cardioid Condenser Microphone with HPF and PAD</h2>
<p>The NT55 utilises the 1/2&#8243; gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response.</p>
<p>The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter.</p>
<p>The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.</p>
<h2><strong>Included Accessories:</strong></h2>
<p><strong>One of the 2 included mic heads, for variation in polar pattern.</strong></p>
<div id="mic-details-accessories">
<div id="inc_accessories">
<div><a href="http://www.rodemic.com/accessories/nt45-o"><img title="NT45-O" src="http://media.rodemic.com//images/product-thumbs/nt45-o.jpg" alt="NT45-O" width="70" height="70" /></a></div>
<div><strong>Mic Clip</strong></div>
<div><a href="http://www.rodemic.com/accessories/rm5"><img title="RM5" src="http://media.rodemic.com//images/product-thumbs/rm5.jpg" alt="RM5" width="70" height="70" /></a></div>
</div>
<div></div>
<h2>Specifications:</h2>
<div id="opt_accessories">
<table>
<tbody>
<tr>
<td>Acoustic Principle</td>
<td>Pressure Gradient</td>
</tr>
<tr>
<td>Active Electronics</td>
<td>JFET impedance converter with bipolar output buffer</td>
</tr>
<tr>
<td>Capsule</td>
<td>0.50&#8243;</td>
</tr>
<tr>
<td>Polar Pattern</td>
<td><img src="http://media.rodemic.com//images/specs/spec-cardioid.png" alt="Cardioid" width="40" height="40" /><img src="http://media.rodemic.com//images/specs/spec-omni.png" alt="Omnidirectional" width="40" height="40" /></td>
</tr>
<tr>
<td>Address Type</td>
<td>End</td>
</tr>
<tr>
<td>Frequency Range</td>
<td>20Hz &#8211; 20kHz</td>
</tr>
<tr>
<td>Output Impedance</td>
<td>100?</td>
</tr>
<tr>
<td>Maximum SPL</td>
<td>136dB SPL (@ 1kHz, 1% THD into 1K Ohm load)</td>
</tr>
<tr>
<td>Maximum Output Level</td>
<td>8.0dBu (@ 1kHz, 1% THD into 1K Ohm load)</td>
</tr>
<tr>
<td>Sensitivity</td>
<td>-38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz</td>
</tr>
<tr>
<td>Power Options</td>
<td><img src="http://media.rodemic.com//images/specs/spec-p48.png" alt="+48V phantom power" width="40" height="40" /></td>
</tr>
<tr>
<td>Weight</td>
<td>110.00gm</td>
</tr>
<tr>
<td>Dimensions</td>
<td>145.00mmH x 20.00mmW x 20.00mmD</td>
</tr>
<tr>
<td>Output</td>
<td><img src="http://media.rodemic.com//images/specs/spec-xlr.png" alt="XLR Output" width="80" height="23" /></td>
</tr>
</tbody>
</table>
</div>
</div>
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		<title>Karaoke Competition at Grandwest Casino 31 May to 23 July &#8211; Sponsored by Paul Bothner Music</title>
		<link>http://bothners.co.za/events/karaoke-competition-at-grandwest-casino-31-may-23-july/</link>
		<comments>http://bothners.co.za/events/karaoke-competition-at-grandwest-casino-31-may-23-july/#comments</comments>
		<pubDate>Thu, 10 May 2012 12:13:55 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[What's Happening]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13696</guid>
		<description><![CDATA[The competition will be judged in three categories: Best Male /Best Female/ Best Duet. Click the link for details. <br /><a href="http://bothners.co.za/events/karaoke-competition-at-grandwest-casino-31-may-23-july/">Read More: Karaoke Competition at Grandwest Casino 31 May to 23 July &#8211; Sponsored by Paul Bothner Music</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://bothners.co.za/events/karaoke-competition-at-grandwest-casino-31-may-23-july/attachment/karaoke/" rel="attachment wp-att-13697"><img class="aligncenter size-full wp-image-13697" title="Karaoke" src="http://bothners.co.za/wp-content/uploads/2012/05/Karaoke.jpg" alt="" width="401" height="553" /></a></p>
<h2 style="text-align: center;">Karaoke Competition at Grandwest Casino 31 May &#8211; 23 July</h2>
<p><strong>The competition will be judged in three categories:</strong></p>
<p>Best Male /Best Female/ Best Duet</p>
<p>Entry fee for the competition will be R40.00 per category per entry.</p>
<p>Entrants have to be 18 years of age or older.</p>
<p>This competition is open to Non Professional artists. Entry forms available at the Sports Bar or contact Jeff McBride on 082 679 2793.</p>
<p>Semi-finals will be held at the Sports Bar and the final to be held in Hanover Street.</p>
<p><strong>Terms &amp; Conditions apply</strong></p>
<p>For further details contact Leonard Timbrell (021) 505 7400 or E-mail: leonard.timbrell@za.suninternational.com</p>
]]></content:encoded>
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		<title>Roland&#8217;s BK-5 Interactive Backing Keyboard</title>
		<link>http://bothners.co.za/hot_products/rolands-bk-5-interactive-backing-keyboard/</link>
		<comments>http://bothners.co.za/hot_products/rolands-bk-5-interactive-backing-keyboard/#comments</comments>
		<pubDate>Tue, 08 May 2012 10:38:18 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Hot Products]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13628</guid>
		<description><![CDATA[The BK-5 features high-quality, fresh sounds combined with an easy user interface and advanced features. It’s the perfect partner for the “one-man band” as well as music hobbyists and amateurs. <br /><a href="http://bothners.co.za/hot_products/rolands-bk-5-interactive-backing-keyboard/">Read More: Roland&#8217;s BK-5 Interactive Backing Keyboard</a>]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: center;"><a href="http://bothners.co.za/hot_products/rolands-bk-5-interactive-backing-keyboard/attachment/bk5-keyboard/" rel="attachment wp-att-13629"><img class="aligncenter size-full wp-image-13629" title="BK5 keyboard" src="http://bothners.co.za/wp-content/uploads/2012/05/BK5-keyboard.jpg" alt="" width="384" height="162" /></a></h1>
<h1 style="text-align: center;"><span style="color: #333399;">Roland&#8217;s BK-5 Interactive Backing Keyboard</span></h1>
<h2>Number One for One-Man Bands</h2>
<div>
<p>One keyboard, one keyboardist…. With the debut of the BK-5, Roland proudly sets another milestone in the history of auto-accompaniment instruments. The BK-5 features high-quality, fresh sounds combined with an easy user interface and advanced features. It’s the perfect partner for the “one-man band” as well as music hobbyists and amateurs.</p>
</div>
<ul>
<li>- Self-contained, do-everything keyboard with auto-accompaniment engine and built-in sound system</li>
<li>- Wide selection of sounds, Music Assistants, and Rhythms that cover a wide landscape of musical genres (including East-Europe, Latin-America, Asia, and more)</li>
<li>- Friendly graphical user interface</li>
<li>- Onboard effects, including reverb, chorus, EQ, multi-band compressor, and dozens of multi-effects</li>
<li>- Music rhythm compatibility with Roland BK-7m/E-series/ G-series/VA-series instruments</li>
<li>- Compatible with backing formats (SMF, MP3, WAV, and Rhythm) directly from USB memory; instant audio recording onto USB memory</li>
<li>- Automatic chord detection for SMF files</li>
<li>- Video output to share SMF/MP3 Lyrics with friends or the audience on an external screen</li>
</ul>
<h2>Sound Generator</h2>
<div>
<p>The BK-5 is powered by a state-of-the-art Roland sound engine, packed with over 1,100 great sounds and dozens of drum and percussion kits. The instrument is able to handle 128 voices simultaneously, and is compatible with a variety of voicing formats, including GM2, GS, and XG Lite. Feed the BK-5 a Standard MIDI File, buckle up, and get ready for a great-sounding band!</p>
</div>
<h2>Creative Control</h2>
<div>
<p>In addition to playing MIDI Files with its internal sound generator, the BK-5 can also play and manipulate audio files. Play MP3 or WAV files via USB and use the onboard controls to change key signature and tempo to best suit your vocal range or performance style. You can also use the BK-5’s Center Cancel feature to minimize the vocals from pre-existing songs to create instant karaoke-style sing-along tracks.</p>
</div>
<h2>USB Compatibility</h2>
<div>
<p>To expand the capabilities of the BK-5, a USB port is provided for connecting to industry-standard USB storage devices such as a USB key or self-powered USB hard disk for playing and modifying/saving files. You can also use the USB port to record your performances as audio files (WAV, 44.1KHz/16-bit linear format) on a USB storage device.</p>
</div>
<h2>Video Compatibility</h2>
<div>
<p>The BK-5’s composite video output can be connected to an external monitor, which allows the audience or other musicians onstage to follow the lyrics and chord symbols of the performed song. Turn your show into a multimedia experience!</p>
<div id="site-n-main">
<div id="site-n-contents">
<div id="products-tab-03">
<h2> Specifications</h2>
<dl>
<dt><strong>Keyboard</strong></dt>
<dd>61 keys (velocity sensitive)</dd>
<dt><strong>Display</strong></dt>
<dd>160 x 160 dots Graphic LCD (with backlit)</dd>
</dl>
<h2>Sound Generator</h2>
<dl>
<dt><strong>Max. Polyphony</strong></dt>
<dd>128 voices (GM2/GS/XG Lite compatible)</dd>
<dt><strong>Sounds</strong></dt>
<dd>1,172 tones, 60 Drum Sets</dd>
<dt><strong>Multitimbral parts</strong></dt>
<dd>3 real-time parts (UP1, UP2, LWR) + 16 song parts</dd>
<dt><strong>Master Tuning</strong></dt>
<dd>415.3 to 466.2 Hz</dd>
<dt><strong>Key Control (Transpose)</strong></dt>
<dd>-6 to +5 in semitones (for audio/MIDI data)</dd>
<dt><strong>Tempo change</strong></dt>
<dd>20 to 250 BPM for SMF and rhythms, 75 to 125% for mp3 and WAV files</dd>
<dt><strong>Part mute functions</strong></dt>
<dd>TRACK MUTE (Rhythms, SMF), CENTER CANCEL (mp3, WAV, AUDIO INPUT signals)</dd>
</dl>
<h2>Effects</h2>
<dl>
<dt>Real-time parts (UP1, UP2, LWR), Rhythms/SMF section</dt>
<dd>Reverb: 8 types (selectable via Makeup Tools)<br />
Chorus: 8 types (selectable via Makeup Tools)<br />
MFX: 84 types for real-time parts (selectable via Tone Part MFX)<br />
MFX: A &amp; B for rhythm and SMF section (selectable via Makeup Tools)<br />
Parametric EQ: 6 presets + 1 User memory<br />
Multi-band compressor: 6 presets + 1 User memory</dd>
</dl>
<h2>Rhythm section</h2>
<dl>
<dt><strong>Rhythms</strong></dt>
<dd>305 in 6 “Rhythm” families (localized rhythms for specific areas are included in the WORLD 1 and WORLD 2 families)</dd>
<dt><strong>Rhythm Composer</strong></dt>
<dd>Internal Rhythm Composer, SMF-to-Rhythm Converter provided as PC application (Windows) on the bundled CD-ROM</dd>
<dt><strong>One Touch memories</strong></dt>
<dd>4 programmable registrations per rhythm</dd>
<dt><strong>Rhythm Makeup Tools</strong></dt>
<dd>Instrument-oriented editing</dd>
</dl>
<h2>Songs</h2>
<dl>
<dt><strong>Real-time player</strong></dt>
<dd>SMF (Format 0/1), KAR, mp3, WAV, mp3+CDG</dd>
<dt><strong>Song chord extractor</strong></dt>
<dd>Automatic chord detection for SMF files</dd>
<dt><strong>SMF Makeup Tools</strong></dt>
<dd>Instrument-oriented editing</dd>
</dl>
<h2>Performance Memories</h2>
<dl>
<dt><strong>Performance Lists</strong></dt>
<dd>Unlimited number (storage on USB memory)<br />
Over 500 “Music Assistant” memories (internal memory)<br />
5 “Factory Song” memories (internal memory)</dd>
<dt><strong>Performance memories per List</strong></dt>
<dd>Max. 999</dd>
<dt><strong>Search function</strong></dt>
<dd>Quick location of SMF, audio and JPG files on the connected USB memory</dd>
</dl>
<h2>Demo</h2>
<dl>
<dt></dt>
<dd>Yes</dd>
</dl>
<h2>Recording</h2>
<dl>
<dt><strong>Media</strong></dt>
<dd>USB Flash memory</dd>
<dt><strong>Song Save Format</strong></dt>
<dd>Audio files: WAV (44.1 kHz, 16-bit linear)</dd>
</dl>
<h2>Video</h2>
<dl>
<dt><strong>Lyrics</strong></dt>
<dd>SMF, mp3/WAV, mp3+CDG</dd>
<dt><strong>Slide shows</strong></dt>
<dd>Picture folder linked to songs (recommended resolution: 512 x 384 or 1024 x<br />
768 pixels)</dd>
</dl>
<h2>Other</h2>
<dl>
<dt><strong>Panel controls</strong></dt>
<dd>Knobs: VOLUME, Rotary encoder: Data dial</dd>
<dt><strong>Connectors</strong></dt>
<dd>PHONES: jack x2: Stereo 1/4&#8243; phone type<br />
AUDIO INPUT: jack: Stereo miniature phone type<br />
AUDIO OUTPUT: jacks (L/Mono, R/Mono): 1/4&#8243; phone type<br />
USB COMPUTER: connector (Type B, reception and transmission of MIDI data)<br />
USB MEMORY: (Type A, data storage devices)<br />
MIDI: connectors (IN, OUT): Visual Control function<br />
VIDEO OUTPUT: jack &#8211; RCA-type (CVBS, PAL or NTSC selectable)<br />
Foot pedal jack: HOLD, SWITCH/EXPRESSION (programmable)</dd>
<dt><strong>Speakers</strong></dt>
<dd>10 cm x 2</dd>
<dt><strong>Rated power output</strong></dt>
<dd>12 W x 2</dd>
<dt><strong>Power supply</strong></dt>
<dd>AC adaptor</dd>
<dt><strong>Power consumption</strong></dt>
<dd>1100mA</dd>
<dt><strong>Auto Off function</strong></dt>
<dd>Off, 10 min, 30 min, 240 min</dd>
<dt><strong>Accessories</strong></dt>
<dd>Owner’s Manual, AC adaptor, Power cord (for connecting the AC adaptor), Music rest, CD-ROM (Style Converter 4.0, USB driver)</dd>
<dt><strong>Option (sold separately)</strong></dt>
<dd>USB Flash Memory: M-UF series, Pedal Switch: DP series, Footswitch: BOSS FS-5U, Expression Pedal: EV series</dd>
</dl>
<h2>Size and Weight (Without music rest)</h2>
<dl>
<dt><strong>Width (W)</strong></dt>
<dd>1,044 mm41-1/8 inches</dd>
<dt><strong>Depth (D)</strong></dt>
<dd>317 mm12-1/2 inches</dd>
<dt><strong>Height (H)</strong></dt>
<dd>129 mm5-1/8 inches</dd>
<dt><strong>Weight</strong></dt>
<dd>7.5 kg16 lbs. 9 oz.</dd>
</dl>
<p><strong>Weight excluding AC adaptor and music rest</strong></p>
<p><strong>All specifications and appearances are subject to change.</strong></p>
</div>
</div>
</div>
<p>&nbsp;</p>
</div>
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		<title>Perusin’ the Blues by Guitar Virtuoso &#8211; Duri Dhansay</title>
		<link>http://bothners.co.za/articles/perusin-the-blues-by-guitar-virtuoso-duri-dhansay/</link>
		<comments>http://bothners.co.za/articles/perusin-the-blues-by-guitar-virtuoso-duri-dhansay/#comments</comments>
		<pubDate>Thu, 03 May 2012 12:24:31 +0000</pubDate>
		<dc:creator>JamesR</dc:creator>
				<category><![CDATA[Articles]]></category>

		<guid isPermaLink="false">http://bothners.co.za/?p=13196</guid>
		<description><![CDATA[Blues has influenced numerous styles of music, with everything from jazz, to early rock and metal being saturated with the depth of its influence.  <br /><a href="http://bothners.co.za/articles/perusin-the-blues-by-guitar-virtuoso-duri-dhansay/">Read More: Perusin’ the Blues by Guitar Virtuoso &#8211; Duri Dhansay</a>]]></description>
			<content:encoded><![CDATA[<h2 id="breadcrumbs" style="text-align: center;"><a href="http://bothners.co.za/articles/perusin-the-blues-by-guitar-virtuoso-duri-dhansay/attachment/dsc01217-2/" rel="attachment wp-att-13514"><img class="aligncenter size-full wp-image-13514" title="DSC01217" src="http://bothners.co.za/wp-content/uploads/2012/04/DSC012171.jpg" alt="" width="397" height="530" /></a></h2>
<h2 style="text-align: center;">Perusin’ the Blues</h2>
<p style="text-align: center;"><strong>by Bluesman / Master of All Trades &#8211; Duri Dhansay</strong></p>
<div id="main-area">
<div id="main-content">
<div id="left-column">
<div>
<p style="text-align: left;">Dust off your tin sandwich harmonica and sweep up the porch, because today we’re talking about the blues. Blues began in the USA, but its roots emanate from the struggle and hardship in the hearts of slaves, plucked from Africa. It has influenced numerous styles of music, with everything from jazz, to early rock and metal being saturated with the depth of its influence. Let’s start from the beginning – the blues feel…</p>
</div>
<p><strong>Shuffle</strong></p>
<p>The central rhythm in blues is based on the triplet (3 notes per beat). Shuffles sound like a cross between a galloping horse, a salt shaker sprinkling salt on your beef and a freight train, cruisin&#8217; to the other side of the Delta. Essentially, you have two beats close to each other, as opposed to the galloping horse&#8217;s 4 hoof beating sound. To get that bluesy character, you’ll want to tie the middle quaver of the triplet to the first, creating what is known as the blues shuffle. Examples of these are Muddy Waters&#8217; Hoochie Coochie Man or ZZ Top&#8217;s La Grange.</p>
<p>Try this out on a single major chord to start with, with slightly heavier downstrokes on the beat and upstrokes on the upbeat. For a more ‘hurried’ feel, replace the middle triplet with a rest. Try moving over to the IV chord of the key with the same feel, then back to the I. For example, if you’re in A major, go from A to D and back. Now the steam train’s really starting to leave the station!</p>
<p><strong>12 Blissful Bars </strong></p>
<p>The 12-bar blues is the main structural unit in blues as well as several other genres. This chord progression travels around the I, IV and V chords of a key in various permutations (in the key of A major that’s A, D and E). Here’s the core repeatable progression, which I highly recommend you memorise:</p>
<p>// I / I / I / I / IV / IV / I / I / V / IV / I / I //</p>
<p>As you can imagine, there are countless variations, the most common replacing the I in the final bar with a V, often on the offbeat. Remember to practice this in different keys! You may notice the feel quickly becomes automatic – that’s because you’ve probably heard this progression many times in different contexts without realising it.</p>
<p><strong>Improvisation</strong></p>
<p>Now that you’ve got the comp down, it’s time to get to the heart of the blues: Improvisation. If you don’t have a bassist or second guitarist on hand, grab a phrase-looper or some kind of recording device to relay the 12-bar progression. To start with, try improvising over it with a standard minor pentatonic starting on the same root as the tonic, so if you’re in A, play an A pentatonic. In typical blues fashion, you can stay on this scale for the entire 3-chord progression, or start a new pentatonic with each shape matching the roots. To get started in the right mood, try playing licks synched with the same shuffle feel, or even triplets – you’ll get comfortable in no time!</p>
<p><strong>Important:</strong> Try to know where all your root notes are. There are three in the standard minor pentatonic box. Think of them as ‘home’. Those are your comfort zones. If you end phrases on them you’re pretty much safe in terms of consonance, but don’t be afraid to stray a bit far from home for interest’s sake.</p>
<p>The blues is rooted in struggle, and there’s struggle in the music as well. If you haven’t noticed, you’re playing minor scales over major chords. That constant conflict between the major and minor 3rds is common to the blues sound. The essential resolution of the sound is how the guitarist bends into the major 3rd from the minor position. This is what helps to generate the &#8220;blue&#8217; notes, or more vocal qualities found in blues music, more like human speech and sounds found in Nature.</p>
<p><strong>Really Playing Them Blues</strong></p>
<p>Okay, after that becomes quite easy, it’s time to add some gusto. Firstly, we’ll add some interest to the chords by extending them into 7ths. Although conventionally that would mean turning chords I and IV into major 7ths, in the typical blues style, ALL the chords in the progression are extended into dominant 7ths. Now you’re really getting an authentic blues sound! Feel free to mix up major and dominant 7th chords in the progression. Next, we’ll extend the pentatonic scale into the ‘blues’ scale, which is the same pattern with the addition of a note between the 3rd and 4th notes on the A string. In the key of A that’s D# or Eb. Add the octave on the G string as well and you’ve got a standard blues scale pattern! This is essentially a ‘blue’ note, one of the most important in the style, and it’s a workaday habit to really highlight this note while improvising. Another standard is adding plenty of dazzlers, so don’t be shy with bends, slides, grace notes, slurs, and particularly vibratos. Try adding some double-stops created from scale notes as well, and you’ll quickly learn which note combinations work well together. Next, you’ll want to add some arpeggio notes. Try matching a dominant 7th based broken-chord lick under each chord, which will add that major 3rd into your lead, or combine it with the blues scale to create a hybridised scale. After that, experiment with creating new patterns by finding the five notes of the pentatonic or six notes of the blues scale in different regions of the fretboard. This opens up loads of new double-stop possibilities. If you start on the 2nd note as opposed to the root of the pentatonic and follow through, you get a sound more conducive to a major blues, or even country style. This is often referred to as the pentatonic major scale.</p>
<p><strong>A Few More Thoughts</strong></p>
<p>If you’d like to bring some more scales to the party, two modes that work really well if used cleverly are the Dorian and Mixolydian. The pentatonic minor and major patterns could be thought of as functioning as shortened versions of the Dorian and Mixolydian respectively, so they make for great extensions. Consider trying to use some finger picking techniques as well. This will open up the harmonic possibilities quite a bit, not to mention the tonal advantages: you can get anything from a smooth, warm sound to an emotive bass-popping-like twang, and everything in-between, often accessible by a simple wrist adjustment. Tonally, the more options the better when it comes to blues. It’s a feelings-driven style and you really want to be able to create little emotional outbursts on your guitar. When playing, especially in an open-type key such as E, try to take advantage of the open strings available to you, as they contrast interestingly when mixed with their fretted counterparts. Well, that’s the gist of it for now, though there’s plenty more I’m sure we’ll touch on in future. Go experiment, and remember: best just let them blues get the better of you.</p>
<div><strong>More on the Author:</strong></div>
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<div>Duri is a Cape Town based acoustic and electric guitarist, bassist and musician with a focus on varying styles, including Classical, Rock, Arabic, Funk, Avant-garde, Metal, Slide, Jazz, Blues, and Flamenco amongst others. Although mostly a solo player, he has done countless collaborations, including working with SAMA nominated classical guitar legend JAMES GRACE, and recently ambient/rock entity CRIMSONSHIMMER. He is a graduate of the South African College of Music at UCT where he studied classical guitar playing. A guitarist and bassist at the core, he has become proficient and dabbled in several instruments, including Drums, Piano &amp; Keys, Harmonica, Mandolin, the eastern Oud and more. Duri was awarded the title of fastest guitarist in the nationwide competition, the ‘Fretboard Frenzy’ competition, making him the fastest in South Africa. He is also an avid player of 8 string electric guitar.</div>
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