Paul Bothner Music http://bothners.co.za The Musical Instrument Specialists Wed, 20 Aug 2014 11:58:34 +0000 en-US hourly 1 Roland V-Drums SA Championships 2014 http://bothners.co.za/events/roland-v-drums-sa-championships/?utm_source=rss&utm_medium=rss&utm_campaign=roland-v-drums-sa-championships http://bothners.co.za/events/roland-v-drums-sa-championships/#comments Fri, 15 Aug 2014 13:40:28 +0000 http://bothners.co.za/?p=27240 Read More: Roland V-Drums SA Championships 2014]]>

V-Drums National Championship SA 2014

- Extended to 31 August 2014 -

The search for South Africa’s best drummer is on! The V-Drums Championship returns to SA in 2014 and now drummers from around the country will battle it out to be named the South African V-Drums Champion, and stand the chance to win R17 000 worth of Roland gear! 

1st Place – R 14 000 worth of Roland gear

2nd Place – R 2 000 worth of Roland gear

3rd Place – R 1 000 worth of Roland gear

Starting mid-July 2014, entrants are invited to visit one of 20 nationally participating stores and record a video of your 3 minute drum solo/performance on a specially set up Roland V-Drums kit. Or if you have your own V-Drums kit then you can just record yourself at home!

How to enter:

1. Record a 3 minute drum solo/performance on your own V-Drums Kit or on a V-Drums kit at the participating dealers.

2. Create an account or upload the video to your existing You Tube account.

3. E-mail the link to your video along with your name and contact details to justins@rsamusic.co.za.

The videos will be judged by Roland SA and the 5 finalists will be announced in the week of 18th August 2014 and their Final video performances will be put online for South Africa and a panel of judges to vote for the winner. 

Keep up to date about the championship and view the list of participating dealers at www.facebook.com/rolandmusicsouthafrica

Here are some entrants’ videos:

Leigh Soulink

Rohan Bhadersein

Bonnie Rupert

 

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The Boss TU-10 Clip-on Tuner http://bothners.co.za/products/accessories/new-boss-tu-10/?utm_source=rss&utm_medium=rss&utm_campaign=new-boss-tu-10 http://bothners.co.za/products/accessories/new-boss-tu-10/#comments Fri, 15 Aug 2014 10:55:40 +0000 http://bothners.co.za/?p=14747 Read More: The Boss TU-10 Clip-on Tuner]]>

TU-10: Clip-on Chromatic Tuner

Clip-on Tuner with “True Colour” Display

The BOSS “TU” line is synonymous with reliable, roadworthy and exceptionally accurate tuning. Today, the world’s most famous tuner prefix gets “clipped-on” with the debut of the TU-10. Reinventing the traditional image of clip-on tuners, the TU-10 offers a stylish design and robust body with high-performance features derived from other BOSS tuners, such as Accu-Pitch, flat tuning up to five semitones, and Stream mode. A unique feature — the “true colour” LCD — provides a full, multi-color visual experience not seen before in other clip-on tuners. In addition, the reflection-display function dramatically improves visibility.

  • Proven BOSS quality and reliability in a clip-on format
  • Dramatic advancement of visibility with unique “true colour” LCD and reflection-display function
  • Accu-Pitch function, flat tuning up to 5 semitones, and Stream mode
  • Stylish design and robust body
  • Available in a variety of colours

 

Specifications

Tuning Range

  • C0 (16.35 Hz) to C8 (4,186 Hz)

Reference Pitch

  • A4 (436 to 445 Hz)

Tuning Accuracy

  • +/- 1 cent

Display Mode

  • Cent display, Stream display

Flat Tuning

  • Regular to 5 semitone lower

Power Supply

  • CR2032 lithium battery x 1

Current Draw

  • Colour display mode: 12 mA
  • Monochrome display mode: 4 mA

Expected battery life under continuous use

  • Colour display mode: Approximately 12 hours
  • Monochrome display mode: Approximately 24 hours

* This figure will vary depending on the actual conditions of use.

Accessories

  • CR2032 lithium battery, Owner’s Manual

Size and Weight

  • Width (W)
  • 73 mm
  • 2-7/8 inches

Depth (D)

  • 33 mm
  • 1-5/16 inches

Height (H)

  • 62 mm
  • 2-1/2 inches

Weight

  • 45 g
  • 0 lbs. 2 oz.

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SoundHouse Vocal & Technology Course http://bothners.co.za/events/soundhouse-vocal-technology-course/?utm_source=rss&utm_medium=rss&utm_campaign=soundhouse-vocal-technology-course http://bothners.co.za/events/soundhouse-vocal-technology-course/#comments Fri, 15 Aug 2014 07:10:39 +0000 http://bothners.co.za/?p=27335 Read More: SoundHouse Vocal & Technology Course]]> Soundhouse_a4_vocal&technology

David Webster

New Vocal Coach – David Webster

David has a degree in Music Composition from UCT and was a top student. He’s done compositional work in the advertising field, as well as for a short film for Hillsong South Africa. He’s also been very actively involved in humanitarian causes and is a natural leader.

Sing, Record and Produce at SoundHouse

  • Sing and record your own vocals over backing tracks.
  • 10 songs to choose from
  • Time: 9:30 am to 11:30 am
  • Age: 10 to 17 years old
  • Cost: R400 for two Saturdays in September
  • Either 6th & 13th September or 20th & 27th September
  • Bookings for first two Saturdays close 3rd September, and for last two Saturdays bookings close 17th

They’ll learn how to warm up, perform better, and how to record their performance. Course duration is two Saturdays, with each day’s session lasting 2 hours. The course gives kids an option of choosing one of ten songs to learn as a singer, and how to sing and record it with Cubase music recording software.

Enroll here

More about the Technology

  • It’s much easier than kids think!
  • Just copy, paste, slide, tweak… then ROCK!!
  • Learn from a UCT graduate
  • Learn how to compose, arrange and equalize music using simple loops with Cubase
  • Leave with a CD recording of your music

Besides improving their singing, kids can:

• Develop a famous artist’s song of their choice, using music software

• Work with Loops

• Analyse Wave Forms

• Mix down the tracks

• Master the song

Booking:

Email us the enrollment form PLUS indemnity form, found via the link at the top right side of each SoundHouse webpage. Then, we’ll confirm whether places are still available. If your time constraints are a little tight, feel free to call us at the numbers listed below. Please note that we only accept exact cash amounts, which are payable at The SoundHouse, on the day of the course.

PLEASE NOTE!

A booking has to be made in advance to make sure that places are still available. Booking opportunities end on the particular Friday before each session runs, at 4:30pm, per course.

The gear and the experience:

  • 15 fully equipped, top class workstations
  • It’s fun and easy
  • Facilitators are well qualified

Address:

Near Cape Town Science Centre, 370B Main Road, Observatory, Cape Town

Telephone number (ask for James or Brett):

021 4470018, 021 7994900

Email:

info@soundhouse.co.za

Visit the website: www.soundhouse.co.za

Where can I buy some of the gear found at SoundHouse?

Pro instruments to jam on are sponsored by Paul Bothner Music…

More on our Technology Instructor

Cherie Barnado acquired a Bachelor’s Degree in Music at UCT. Her courses included Composition (her major) and Music Technology. Cherie’s been playing piano for more than a decade.

Cape Town Science Centre Entrance Fee:

Please note there is a separate entry fee for the Cape Town Science Centre

 

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Coming Soon! COPA’s Open Day! http://bothners.co.za/events/copas-open-day/?utm_source=rss&utm_medium=rss&utm_campaign=copas-open-day http://bothners.co.za/events/copas-open-day/#comments Tue, 12 Aug 2014 11:08:14 +0000 http://bothners.co.za/?p=27310 Read More: Coming Soon! COPA’s Open Day!]]>

COPA’s Open Day!

Date for all branches except KZN : 

Saturday 30 August 2014

Times:

Cape Town: 12pm to 4pm

Johannesburg: 12pm to 3pm

Pretoria: 11am to 3pm 

NB: KZN ‘s event is on the 5th of September from 12pm to 3pm

Where:

All the COPA branches listed below

Paul Bothner Music’s friends from COPA are running an Open Day. COPA is a great institution for developing your potential as a musician and as a corporate level worker in the music industry.

The Open Day includes

- a breakdown on full-time and part-time courses

- drumming demonstrations and live performances by COPA students

- one-on-one chats with Student Representative Council members, on life as a COPA student, as well as 2015 enrollments and auditions.

COPA Academy

COPA Academy, running as a part-time training facility, will, for the first time in South Africa, make a world-class product available to all aspiring musicians, producers, sound engineers, and DJ’s through a network of approved COPA Academy centres, throughout South Africa. COPA Academy is a sister company of Campus of Performing Arts. Its part-time course material is based on the full-time qualifications offered by Campus of Performing Arts. The course material is based on the nationally registered and CATHSSETA accredited programmes.

DJ Training

- COPA has partnered with DJ Ian Credible, to teach levels 2, 3 and 4 (basic to advanced). He’s training local DJ’s, on a part-time basis, in communities in the Western Cape, and via COPA Cape Town.

Click here to watch DJ Ian Credible.

- DJ’s will start by learning how to MASTER the DJ DECKS, and elevate to the level where they’ll use ABLETON LIVE over the various 12 week programmes.

- Lessons are broken into 90 minute sessions, once per week, starting at R2000 for COPA’s BASIC COURSE (a once-off opportunity), excluding the DJ part-time book, which costs R200.

- The subsequent courses increase in price, up to R5000. The most advanced course, HIGHER Education level – Stadium DJ, has now evolved to ARTIST level because of the compositional work that occurs over the 12 lessons.

- All classes can be administered on a one-on-one level, but group classes are preferred, with no more than 5 learners per group.

- There are also 2 Full-Time DJ course options. These are offered on COPA’s Higher Education Programme. With these, students can achieve a Higher Certificate, as well as a Diploma in Music Production, focusing on DJ-ing. These will be running in COPA Cape Town from 2015 onward, starting with the Higher Certificate.

Contact:

email: dj@copasa.co.za

Check out their facebook page! Click here

COPA JHB Campus
100 Langermann Drive
Kensington
Johannesburg
tel: +27(0)11 622 7253

COPA CPT campus
5 Ravenscraig Road
Woodstock
Cape Town
tel: +27(0)21 447 6333

COPA PTA Campus
350 Church Avenue
Lynnwood
Pretoria
tel:+27(0)12 348 5877

COPA KZN Campus
79 Smiso Nkwanyana Road (Goble Road)
Morningside
KwaZulu-Natal
tel: +27(0)31 303 7701

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The Durbie Bash! Powered by Paul Bothner Music http://bothners.co.za/news/the-durbie-bash-powered-by-paul-bothner-music/?utm_source=rss&utm_medium=rss&utm_campaign=the-durbie-bash-powered-by-paul-bothner-music http://bothners.co.za/news/the-durbie-bash-powered-by-paul-bothner-music/#comments Tue, 12 Aug 2014 11:07:49 +0000 http://bothners.co.za/?p=27319 Read More: The Durbie Bash! Powered by Paul Bothner Music]]>

The Durbie Dash… and Durbie Bash!

Chris Willemse Cycles Durbie Dash and Paul Bothner Music are
offering you this unique opportunity and platform to amplify your talent.

High school level bands of any age, genre, or skill welcome!

Here’s a chance to perform on a real stage with professional
sound equipment and sound engineers.

Expose your talent to adoring fans…

Where: Durbanville High School

When: 25 October 2014

For more info call:

Leonie 021 976 31 88 or

Brett 021 799 49 51 

The Durbie Dash

This magnificent event was awarded the prestigious PPA award for the Most Consistent Fun Ride in the 5 years leading to 2014. As title sponsors, Chris Willemse Cycles and Durbanville High School embarked on a journey together to turn an already popular fun ride into a mandatory calendar event in all road and mountain bike cyclists’ diaries.

The annual Chris Willemse Cycles DURBIE DASH is not a fun school event. It’s a professionally hosted, competitive and unique event experience for all levels of cyclists, runners, supporters and anyone looking for an opportunity to experience at least a few elements of Durbanville and its surrounding vineyards and natural beauty. 

What if you don’t ride? The Durbie Dash also offers a Run Walk for Life fun run and fun walk.

The Durbie Bash

If that’s still too strenuous for your liking, you can simply be spoilt to an enjoyable day out with music festival vibes by The Durbie Bash, treating your taste buds to scrumptious delicacies offered by the numerous cafes and stalls, and quenching your thirst at the onsite wine and beer facilities. 

… and should the above still not catch your attention, the Chris Willemse Cycles DURBIE DASH lucky draw sponsored prize collection valued close to R200 000.00 might just do the trick …

PRIZES!

Lucky draw sponsored prizes… Some teasers of lucky draw prizes are:

  • Chris Willemse Cycles Road Bike
  • Chris Willemse Cycles MTB Bike
  • Rawson Developers Desert Wind family weekend
  • Aero Sport 1.5 hours Gyrocopter flight
  • and many more!   

PLEASE NOTE that early bird MTB entries can win an entry to this year Ride the Rhino 3 day stage race!

Sources:

Chris Willemse Cycles

The Hub SA

Durbanville High School website

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FinYou for Loans http://bothners.co.za/finyou/finyou-for-loans/?utm_source=rss&utm_medium=rss&utm_campaign=finyou-for-loans http://bothners.co.za/finyou/finyou-for-loans/#comments Tue, 12 Aug 2014 08:30:03 +0000 http://bothners.co.za/?p=27297 Read More: FinYou for Loans]]>

FinYou Financial Aid at Paul Bothner Music

FinYou offers a Point of Sale loan application solution that benefits customers and retailers. It doesn’t matter where you are or when and how you trade or make your purchases, they’re there at the touch of a button. They enable retailers or service providers to offer a seamless one stop, easy to use application for their customers thus adding value to their purchase experience while they take care of customers’ financial needs.

Paul Bothner Music offers this option both at our suburban branches and via our online store – www.bothnermusic.co.za

  • FinYou is a 100% owned subsidiary of ClearGroup Holdings.
  • FinYou, through their highly skilled product development team and skilled technical implementation are the market leader in online procurement and finance solutions.
  • Their operating model ensures appropriate, quick and efficient responses to market requirements.
  • FinYou offers a Point of Sale loan application solution that can be used by all retailers and service providers.
  • Their clients include both on land premises stores and online store solutions.
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Akai Pro MPK49 MIDI controller keyboard http://bothners.co.za/products/akai-pro-mpk49-midi-controller-keyboard/?utm_source=rss&utm_medium=rss&utm_campaign=akai-pro-mpk49-midi-controller-keyboard http://bothners.co.za/products/akai-pro-mpk49-midi-controller-keyboard/#comments Tue, 12 Aug 2014 07:39:11 +0000 http://bothners.co.za/?p=26273 Read More: Akai Pro MPK49 MIDI controller keyboard]]>

Akai Pro MPK49 MIDI controller keyboard

Complete creativity

Maximize musical ideas on-stage or in the studio with the Akai Professional the MPK49 performance controller. The MPK49 ushers in a new era for USB/MIDI controllers by combining a high-quality 49-key semi-weighted keyboard with aftertouch and 12 MPC drum pads. 48 total pads are accessible via 4 pad banks. The pads feature the heart and soul of hip hop—the MPC Note Repeat and MPC Swing. The MPK49 even has a built-in arpeggiator for creating quick, creative riffs in seconds.

Intricate Control

The MPK49 also features MPC Full Level and 12 Level functions on its pads, and MPC Swing can be applied to both Note Repeat and Arpeggio functions. Tap Tempo and time-division buttons allow for real-time control of Note Repeat and Arpeggio clock speeds. The MPK49 delivers an amazing 76 assignable controls, with assignable inputs that include an expression pedal, footswitch, and pitch bend and modulation wheels. More than just a USB/MIDI controller, the MPK49 captures the soul of your performance.

Avid® Pro Tools® Express Included

Compose, record, edit, and mix using the tools the professionals use. Pro Tools Express starts with 16 simultaneous stereo or mono audio tracks. Add in the popular Boom, Xpand!2, and Structure Free player virtual instruments from AIR Music Technology—all included. Finish off with dozens of high-powered effect plug-ins, including the in-demand AIR effects. Plus, Pro Tools Express offers session file compatibility with the entire Pro Tools family, so you can take your tracks to the finest studios around the world.

Pro Tools Express includes an iLok 2 USB key— worth more than R500 @ retail value.

Ignite Included

Ignite music creation software from AIR works seamlessly with MPK49, giving you the fastest way to capture ideas and make music. It’s a refreshingly different approach, a simple and seamless creative partner that empowers your ideas and brings them to life. Say goodbye to the rigid and complicated methods of the past. Say hello to a fresh new way to create.

Ignite includes over 275 instruments, many of which are taken from our renowned instrument collections – including Strike, Structure, and Velvet. All sounds have been optimized to load quickly, and the editing controls are automatically mapped to your connected MPK49. These extraordinary sounds include keyboards, drums, percussion, basses, guitars, synths, strings, brass, and woodwinds.

Avid and Pro Tools are registered trademarks of Avid Technology Inc.

Features

  • 49-key, semi-weighted keyboard with aftertouch and full-sized keys
  • 8 full-sized, 360 degree rotation pots, each with 3 banks for 24 pots total
  • Avid® Pro Tools® Express audio production software included
  • 12 genuine MPC pads with velocity and pressure sensitivity
  • 8 full-sized sliders with 3 controller banks for each for 24 sliders total
  • MPC note repeat and all-new arpeggiator
  • 8 assignable backlit switches with 3 controller banks each for 24 switches total
  • MMC/MIDI Start Stop transport buttons
  • Large, easy-to-read custom LCD display

Specifications

  • Number of Keys: 49 + 12 x 4 banks of drum pads
  • Type of action: Semi-weighted Aftertouch (Channel)
  • Computer Interface: USB/MIDI
  • Displays: Custom LCD
  • Number of Independent MIDI Ins/Outs: 1
  • Programmable Continuous Footpedals: 1
  • Programmable Footswitches: 1
  • Programmable controllers: MMC, MIDI START/STOP, MIDI CC
  • System Real-Time Controls: MMC, MIDI START/STOP, MIDI CC

Computer System Requirements

  • Macintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended), 1 GB RAM (2 GB recommended), Mac OS X 10.4.11 (10.5 or later recommended)
  • Windows: 1.5 GHz Pentium 4 or Celeron compatible CPU or faster (multicore CPU recommended), 1 GB RAM (2 GB recommended), Windows 7, Windows Vista or Windows XP, Windows compatible sound card (ASIO driver support recommended), QuickTime recommended
  • Available USB Port
  • Pro Tools Express – for system requirements for Pro Tools Express, click here

 

 

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Mark Haze Rocks Gauteng! http://bothners.co.za/articles/mark-haze-rocks-gauteng/?utm_source=rss&utm_medium=rss&utm_campaign=mark-haze-rocks-gauteng http://bothners.co.za/articles/mark-haze-rocks-gauteng/#comments Fri, 08 Aug 2014 08:49:07 +0000 http://bothners.co.za/?p=27261 Read More: Mark Haze Rocks Gauteng!]]>

Mark Haze Rocks Gauteng! 

by Louis Diedericks

Paul Bothner Music endorsee Mark Haze’s recent tour to Gauteng consisted of 4 events, which started with a Bon Jovi Tribute at Dozi’s ‘Back to Roots’, on Sunday 27 July 2014. If you don’t recall, Mark Haze performed live with Bon Jovi when they were on tour in South Africa! Few local artists can beat an accolade like that.

But Mark’s list of accolades is why he’s considered to be one of the top artists in South Africa. The other 3 shows showcased his original material and were held at Rumours, Grafter’s Tavern, and at the Bapsfontein Hotel. On second guitar is the highly talented guitar wiz, Jacques Janson, ex-member of Red Light in June and Dutch Phobia. He’s pictured on the right in the photos. Jacques is the kind of guitarist who can play the Rusty Cooley and Vai riffs but has his own musical identity. Mark and his legion will return to Gauteng in September this year. Watch this space for details!

 

 

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Drum Day and Fastest Hands! What You Missed http://bothners.co.za/articles/special-events-articles/drum-day-what-you-missed/?utm_source=rss&utm_medium=rss&utm_campaign=drum-day-what-you-missed http://bothners.co.za/articles/special-events-articles/drum-day-what-you-missed/#comments Wed, 06 Aug 2014 09:51:01 +0000 http://bothners.co.za/?p=27190 Read More: Drum Day and Fastest Hands! What You Missed]]>

Drum Day and Fastest Hands! What You Missed

Super good Mapex kits and Zildjian cymbals played by hot drummers. Free entertainment. Free education. Giveaways! Tsk… Some of the best talent across the spectrum was there, from the sharp, tight, intricate, synchronization of The Cape Town Caledonian Pipe Band, to the Afro-Cuban intricacies of Daniel Bloem, the Gospel Chops funk fusion of Lance Rhoda, the BIG pounding weight behind Art Pereira’s sticks, and the mountain of explosive power which Dylan Hunt wields…

Grand West is the perfect venue for the visual and aural entertainment of such an occasion. Our Drum Day events always focus on two things: musical development and brilliant entertainment, courtesy of the doctors of rhythm… What drummer wouldn’t love the range of dynamics, tones, and ideas that the Caledonian Pipe Band pummels forth? A deaf one. Their tonal variation is a combination of different kinds of marching drums, from mid rangey tom sounds, to really BIG bass drums, and some of the most intricate snare playing. The snare drumming excellence at this Drum Day event, was courtesy of soloist champion, and Paul Bothner Claremont Drum Specialist: John Van Niekerk.

Daniel Bloem at Drum Day

Daniel Bloem’s mind-blowing command of percussion was enough to sustain Drum Day, as entertainment, all on its own. If everyone else had been absolutely mediocre, it wouldn’t have mattered. Daniel talked the crowd through the different kinds of Afro-Cuban percussion grooves, explaining each style while demonstrating. His use of 6 congas, tuned to different pitches, really illustrated what complex, melodic drumming should sound like. Lance Rhoda provided parallel grooves on a drum kit, on the other side of the stage, at certain points of Daniel’s demo, before the event developed into Lance’s workshop section.

Lance’s fusion chops and power drumming wowed the crowd, from start to finish. His sense of humour offered an entertaining counter balance to his serious abilities. He explained how to turn paradiddles into melodic and complex drum lines, instead of mundane routines. He broke them up into chunks, twisting them into new constructions, like a 3-D sound animator. A call to use our imagination was obvious and well-founded.

Art Pereira’s performance included accompaniment by his beefy toned, sci-fi thematic sounding, hard rocking, fonk and ambient conjuring, brick crushing, monolith demolishing band: The Verona Walls. What a display of chops, song writing, arrangement skills, and use of effects! Art’s anecdotes were rich in both humour and useful advice. His playing was a groove centred, power rock style, with lots of fills, synchronized with the band’s many changes of dynamics, and multitude of parts.

Fastest Hands Open Winner Peter-John Morgenrood

Fastest Hands Competition

The Fastest Hands competition featured 3 divisions this year: Under 13, Under 19 and Open. The Under 13 winner is Seth Woodberg. The Under 19 Winner is Ayeob Isaacs. And, the Open Winner is Peter-John Morgenrood, with an incredible score of 1080.

The headline artist for this event was Dylan Hunt, from Van Coke Kartel and Pestroy. He played along to tracks of artists whom he’s performed with, using backing tracks with a click track. This self-effacing artist has powerful bass drum technique, with speed, accuracy, and consistence. His demos showcased how he ‘plays for the song’ and, only at the end, did he display his advanced drum soloing chops.

Look out for these artists’ upcoming events, via facebook.

Here’s a brilliant drum solo by headline artist for the day, Dylan Hunt!

Cape Town Caledonian Pipe Band

Daniel Bloem and Lance Rhoda

Lance Rhoda

Art Pereira

Verona Walls in Action

Fastest Hands Contestants

Roland RMP-3 Draw Winner – Eugene Davids (right)

MC Sean Nunan

 

 

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Slash & Myles – Episode 1 – Touring With Aerosmith http://bothners.co.za/news/slash-myles-episode-1-touring-with-aerosmith/?utm_source=rss&utm_medium=rss&utm_campaign=slash-myles-episode-1-touring-with-aerosmith http://bothners.co.za/news/slash-myles-episode-1-touring-with-aerosmith/#comments Mon, 04 Aug 2014 15:32:28 +0000 http://bothners.co.za/?p=27182 Read More: Slash & Myles – Episode 1 – Touring With Aerosmith]]> Slash & Myles – Episode 1 – Touring With Aerosmith

Ernie Ball endorser Slash and Myles Kennedy answer questions about touring with Aerosmith, the new album, and more. 

Watch the first video here:

 

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Radio Tygerberg Gospel Talent Search http://bothners.co.za/events/radio-tygerberg-gospel-talent-search/?utm_source=rss&utm_medium=rss&utm_campaign=radio-tygerberg-gospel-talent-search http://bothners.co.za/events/radio-tygerberg-gospel-talent-search/#comments Fri, 25 Jul 2014 08:27:03 +0000 http://bothners.co.za/?p=27131 Read More: Radio Tygerberg Gospel Talent Search]]> Radio Tygerberg Gospel Talent Search

Co-sponsored by Paul Bothner Music

Gospel Talent Search
- 3rd place, 2nd place and winner L to R -
Rudi Solomons, Courtney Du Preez and Henry Pike

With some truly great talent, this competition showed the strength of Gospel music in the industry today, and how organizations and people are in support of each other. The winner, Henry Pike, is also a minister, based in Durbanville. Rudi Solomons, from Eerste River, came second, and Courtney Du Preez, from Klapmuts, came third.

Henry Pike received more than R250 000 in prizes! He’s won an album’s worth of recording time, from Traxtudio, to the value of R100 000; airtime on Radio Tygerberg to the same value; advertising space in the Tygerberger publication and People’s Post, to the value of R65 000; a R1000 shopping voucher from Tyger Valley Shopping Centre; and a R5000 shopping voucher from Paul Bothner Music.

Click here to read the Tygerberger article.

From left to right: Louis van den Berg – Marketing Manager from Traxtudio International, Riaan Steyn – CEO Traxtudio International Group of Companies, Hardus Zevenster – CEO Tygerberg 104FM, Marita Meyer – Editor of WP Koerante, Henry Pike – Winner of Gospel Talent Search 2014, Luané Janse van Rensburg from Tygerberg 104FM, Garth Hewitt – Advertising Manager from WP Newspapers, Sedrick Taljaard  from Tygerberg 104FM

 

 

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44 Ways to Warm Up Before a Gig http://bothners.co.za/articles/44-ways-to-warm-up-before-a-gig/?utm_source=rss&utm_medium=rss&utm_campaign=44-ways-to-warm-up-before-a-gig http://bothners.co.za/articles/44-ways-to-warm-up-before-a-gig/#comments Wed, 23 Jul 2014 09:03:50 +0000 http://bothners.co.za/?p=27109 Read More: 44 Ways to Warm Up Before a Gig]]> 44 Ways to Warm Up Before a Gig

From the worldwide family of Zildjian artist

Got a gig coming up? Playing night after night can be brutal on your body. Check out how the worldwide team of Zildjian Artists warm up before a show so they’re ready to play their best.


  Zildjian Artist Buzz Roll | Bunta

1. Bunta (Tatsuya Sugawara) – Japan, Totalfat

Stretch your body and practice rudiments for at least 10 minutes each.


Zildjian Artist Buzz Roll | Cchrisse Ofosu-Osei

2. Cherisse Ofosu-Osei – UK, MIKA

I like to warm up on a drum pad for 20 minutes before a gig and do a variety of arm and wrist stretches. For the pad, I warm up with the rudiments and snare exercises from the book ‘Stick Control’ by George Stone.


Zildjian Artist Buzz Roll | Alex Salinger

3. Alex Salinger – Australia, Deez Nuts

Singles, doubles, paradiddles, flam taps, in that order.  I usually do this for about 10 min before I go play.


4. Jake Dargaville – New Zealand, Confession

Jog on the spot, push-ups and a beer!


Zildjian Artist Buzz Roll | Roberto Gualdi

5. Roberto Gualdi – Italy, Independent

Play the following very slowly and with large movements: For wrist control, play with random accents and play paradiddles; for finger control play rolls and flams. Play very slowly and with accuracy.


6. Lucas van Merwijk – Germany, Independent

Play rolls and change from singles, to doubles, to paradiddles. Make them sound all the same.


Zildjian Artist Buzz Roll | Daniel Hanson

7. Daniel Hanson – Australia, Ball Park Music

Play basic rudiments on a soft surface with little rebound. Play each rudiment for between 1-2 minutes, gradually speeding up, until you reach maximum speed at 30 seconds, and then slowing down to walking pace at 1 minute and repeat.  Just keep the sticks in your hands for a couple of hours before the show too, you will be tapping away the whole time without even knowing it’s a warming up.


8. Ian Matthews – UK, Kasabian

See 4 above.  Although I do love 7′s. 7L  7R, together.


Zildjian Artist Buzz Roll | Steve White AC

9. Steve White – UK, Independent/Trio Valore

A meal, a walk, and some pad time.


Zildjian Artist Buzz Roll | Gary Husband

10. Gary Husband – UK, Independent

Very moderate, even tempo exercises, concentrating on consistency, accuracy, tempo, and control. I don’t try and play powerfully or fast before a show, and it doesn’t serve me well if I do. I recently experimented with a kind of “air drums” idea, where you’re literally playing your sticks in the air with no surface to play off. It’s interesting. I’m always looking for new methods.


Zildjian Artist Buzz Roll | Gino Banks

11. Gino Banks – India, Independent

Singles, doubles, and flams.  All at a medium-slow tempo, with big motions.


Zildjian Artist Buzz Roll | Joe Clegg

12. Joe Clegg – UK, Ellie Goulding

Four bars of each of the following: singles, doubles and paradiddles. Practise starting your exercise at 100 BPM and working in 4bpm increments.


13. Mark Richardson – UK, Skunk Anansie

Pad work, stretches, and deep breaths. Raising your heart rate will help to get the blood oxygenated and feed the muscles that need to go to work!


Zildjian Artist Buzz Roll | Ash Soan AC

14. Ash Soan – UK, Recording Artist

Stretches and being physically warm before I go on.


Zildjian Artist Buzz Roll | Ben Gordon AC

15. Ben Gordon – Australia, Parkway Drive

I practice on a pad for a while and then stretch. To get the blood going, I do a kind of yoga routine, combined with push ups and sit ups.


Zildjian Buzz Roll | Atom Willard

16. Atom Willard – USA, Angels and Airwaves/Against Me

I warm up on a pillow, the same pillow I’ve had for about 12 years actually. I use a heating pad on my shoulders and space heaters near my legs while I get my hands going. This just helps get everything loose and ready.


Zildjian Buzz Roll | Brooks Wackerman

17. Brooks Wackerman – USA, Bad Religion

Yoga stretches.  Slow rudiments before lift off.


Zildjian Artist Buzz Roll | Vasya Rudenk2

18. Vasily Rudenko – Russia, Elvira T

I never warm up. But maybe if you play metal or hard rock, you may need to stretch your hands and play something on a pad.


Zildjian Artist Buzz Roll | Fredrik Lrzon AC

19. Fredrik Larzon – Sweden, Millencolin

Jump, run, play with your drumsticks on your knees or practice pad or some couch or whatever.


Zildjian Artist Buzz Roll Akira Jimbo

20. Akira Jimbo  – Japan, Independent

Alternate single strokes of the hands and feet.  Like this:  Right Hand – Right Foot – Right Hand – Right Foot.   Left Hand – Left Foot – Left Hand – Left Foot.


Zildjian Artist Buzz Roll Stephen Perkins

21. Stephen Perkins – USA, Jane’s Addiction

Rudiments from slow to fast, from fast to superfast, then back to slow and then super slow.  Quiet to loud and very soft.


Zildjian Artist Buzz Roll Simon Scheibel

22. Simon Scheibel – Germany, Lake Cisco

Steve Smith´s singles and doubles exercise and the Drum Guru Lessons of Pat Petrillo… Awesome. Just figured them out by myself :-).


Zildjian Artist Buzz Roll Jason Bittner

23. Jason Bittner – USA, Shadows Fall

Constant singles, doubles, paradiddles on a pad, feet moving on the floor in constant singles motion etc.


Zildjian Artist Buzz Roll John Tempesta

24. John Tempesta – USA, The Cult

I like to get on my 6” pad for 20 mins, then do my routine of exercises, and stretch my hands and arms.


Zildjian Artist Buzz Roll | Pierre Nakano AC

25. Pierre Nakano – Japan, Ling Toshite Shigure

Stretching.  Practising under simulated conditions.


Zildjian Artist Buzz Roll Daniel Platzman

26. Daniel Platzman – USA, Imagine Dragons

Alan Dawson’s Rudimental ritual.


Zildjian Artist Buzz Roll Antonio Sanchez

27. Antonio Sanchez – USA, Pat Metheny

Lots of stretching and loosening of legs, ankles, forearms, and fingers.


Zildjian Artist Buzz Roll Venzella Joy

28. Venzella Joy – USA, Beyonce

Alternating single and double stroke rolls is a good warm up.


Zildjian Artist Buzz Roll Kent Slucher

29. Kent Slucher – USA, Luke Bryan Band

I actually just stretch about 30 minutes before the gig, I practice on the pad before sound check then I don’t touch the sticks until show time.  I like it to feel fresh when I step on stage.


Zildjian Artist Buzz Roll Tobias Derer

30. Tobias Derer – Germany, YouTuber – Ultimate Music Covers (UMC)

Cold beer and loud single strokes!


Zildjian Artist Buzz Roll Ivan Panella

31. Ivan Panella – Italy, Hopes Die Last

I usually do a quick stretching routine.  Then I play some single-double strokes and diddle rudiments (slow and fast) to warm the wrists.


Zildjian Artist Buzz Roll Matt Greiner

32. Matt Greiner – USA, August Burns Red

I usually play my best shows when I’m comfortable walking onto that stage.  If I’m tired before the show, I’ll do pushups.  If I’m cold before the show, I’ll do rudiments on a pad.  If I’m nervous I’ll forget about the show and just focus on having fun.


Zildjian Artist Buzz Roll Toni Mateos

33. Toni Mateos – Spain, Independent

Sextuplets with hands and foot, as fast as you can (you can practice on a pad):  RLRLBB, LRLRBB, RRLLBB, LLRRBB, RBLBRB, RRBBLL BBRRLL.  (Where R=Right hand, L=Left Hand, B=Bass drum). HiHat always on quarter notes.


Zildjian Artist Buzz Roll | Ithan Haydar

34. Ihan Haydar – Denmark, L.I.G.A

Drum around on anything that can be drummed on to warm your hands and fingers.  Also make sure that your body is warmed up as well.


Zildjian Artist Buzz Roll Jacopo Volpe

35. Jacopo Volpe – Italy, Vanilla Sky

Rudiments and stretching.


Zildjian Artist Buzz Roll Darshan Doshi

36. Darshan Doshi – India, Bollywood/Shankar-Ehsaan-Lory

Doing basic rudiments on a practice pad in the green room.


Zildjian Artist Buzz Roll Mike Gaspar

37. Mike Gaspar – Portugal, Independent

I do lots of sports and also during my spare time I practice, and teach Tae Kwon Do. Stretching is a big deal for me. Also: breathing exercises and even meditating a bit before gigs makes a huge difference. It’s a routine which I’ve developed mainly because of all the travelling, and sometimes doing two shows in less than 24 hours in different countries; or just all the touring mayhem you have to deal with, to get the show done.


 Zildjian Artist Buzz Roll | Bernhard Schimpelsberger AC

38. Bernhard Schimpelsberger – UK, Independent

Stretching my hands and free floating paradiddles, just to get a feel of the stick in my hand.


Zildjian Buzz Roll |Samantha Mallony

39. Samantha Maloney – USA, Independent

Jumping jacks, then stretching my hands, wrists, and legs.  Then, I practice rudiments on a practice pad or bottom of my sneaker.


Zildjian Artist Buzz Roll Barry Van Zyl

40. Barry van Zyl – South Africa, Johnny Clegg

Sound check! I rarely warm up as an accompanist.


Zildjian Artist Buzz Roll Pete Lockett

41. Pete Lockett – UK, Independent Percussionist

I never warm up before a gig and never have done it.


Zildjian Artist Buzz Roll | James Payne AC

42. James Payne – Italy, Hour of Penance

Single stroke rolls playing 1 limb at a time, so first right hand – then left hand – then right foot – then left foot. Then combine the 2 hands, playing alternated strokes. Then alternate strokes with your feet. Then play single stroke rolls between right hand, right foot, left hand and left foot, right hand left foot, and left hand right foot.


Zildjian Artist Buzz Roll | Marito Marques2 

43. Marito Marques – Portugal, Independent

I warm up with single strokes on a blanket with the drumsticks that I’ll be performing with, for around 30 minutes. Any sort of technical exercise is great for warming up.


Zildjian Artist Buzz Roll Gavin Harrison

44. Gavin Harrison – UK, Porcupine Tree/King Crimson

Whiskey. (LOL)


 

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The Jackson DKA8 – An 8 String Beauty http://bothners.co.za/products/the-jackson-dka8-an-8-string-beauty/?utm_source=rss&utm_medium=rss&utm_campaign=the-jackson-dka8-an-8-string-beauty http://bothners.co.za/products/the-jackson-dka8-an-8-string-beauty/#comments Tue, 22 Jul 2014 11:36:52 +0000 http://bothners.co.za/?p=27082 Read More: The Jackson DKA8 – An 8 String Beauty]]>

The Jackson DKA8 – An 8 String Electric Beauty

OVERVIEW
The limited edition eight-string DKA8 Dinky features an arch-top alder body, bolt-on maple neck (flat-sawn) with graphite reinforcement and side-dot position markers, 16”-radius maple fingerboard with 24 jumbo frets and single 12th-fret shark fin inlay, stylish fingerboard and headstock binding, 26.5” scale length, dual direct-mount DiMarzio® D Activator 8™ pickups with five-way switching, single volume and tone controls, momentary kill switch (for stutter effects), recessed Jackson HT-8 eight-string hard-tail string-through bridge, Planet Waves® locking tuners and Dunlop® locking strap pins.

REAL NECK-THROUGH CONSTRUCTION AND WRAP-AROUND BOLT-ONS
Jackson Pro series instruments are exactly that—pro-level guitars for pro-level players. Neck-through-body models feature hand-rubbed oil neck finishes and graphite neck reinforcement rods for the ultimate in sleek playability and rock-solid sustain and stability. Bolt-on-neck models feature an innovative “wrap-around” three-bolt neck joint with remarkable strength, style and feel.

FLOYD ROSE® TREMOLOS, COMPENSATED JACKSON HI-MASS HARD-TAIL AND STRING-THROUGH BRIDGES
Jackson Pro series guitars are built with the very best parts for pro tone, stability and durability for stage and studio alike. Nowhere is this more evident than the bridge. Pro series guitars feature Floyd Rose® 1000 Series tremolos, Jackson Hi-Mass hard-tail and string-through bridges.

COMPOUND-RADIUS FINGERBOARDS
Pro series models feature compound-radius fingerboards. Jackson pioneered the use of this innovative design, in which the fingerboard gradually flattens toward the heel from its more rounded profile at the nut. This makes for comfortable and natural-feeling chording and riffing near the nut, with optimal shred articulation and bending nearer the heel.

GORGEOUS JACKSON STYLE
Pro series models present Jackson players with an alluring assortment of stylistic features and options. These include ebony, maple and rosewood fingerboards; sharkfin, offset-dot and “piranha” fingerboard inlays; deep solid colors and beautifully figured tops; and, of course, the classic Jackson six-in-line headstock.

GENERAL

Model Name: Pro Series DKA8, Maple Fingerboard, Metallic Black
Model Number: 2915203554
Series: Pro Series
Colour: Metallic Black

BODY

Body Material: Alder
Body Finish: Gloss Polyester
Body Shape: Dinky™

NECK

Neck Material: 1-Piece Bolt-On Maple with Graphite Reinforcement and Scarf Joint
Neck Finish: Hand-Rubbed Oil
Neck Binding: 1-Ply White
Scale Length: 26.5″ (673 mm)
Fingerboard: Maple
Fingerboard Radius: 16″ (406.4 mm)
Number of Frets: 24
Fret Size: Jumbo
Nut Width: 2.165″ (55 mm)
Position Inlays: Black Sharkfin at 12th Fret
Head Stock Binding: 1-Ply White

ELECTRONICS

Bridge Pickup: Direct Mount DiMarzio® D Activator 8™ DP820 Humbucking
Neck Pickup: Direct Mount DiMarzio® D Activator 8™ DP819 Humbucking
Controls: Master Volume, Master Tone
Pickup Switching: 3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Pickup Configuration: HH
Special Electronics: Momentary Kill Switch

HARDWARE

Bridge: Jackson® HT8 8-String Hardtail with Strings-Through-Body
Hardware Finish: Black
Tuning Machines: Planet Waves® Auto-Trim Die-Cast Locking

MISCELLANEOUS

Strings: NPS, Gauges: .009, .011, .016, .026, .036, .046, .052, .065

 

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The Roland CUBE-Lite http://bothners.co.za/products/instrument_amplification/guitar-and-bass-amps/the-roland-cube-lite/?utm_source=rss&utm_medium=rss&utm_campaign=the-roland-cube-lite http://bothners.co.za/products/instrument_amplification/guitar-and-bass-amps/the-roland-cube-lite/#comments Mon, 21 Jul 2014 13:58:05 +0000 http://bothners.co.za/?p=27367 Read More: The Roland CUBE-Lite]]>

The Roland CUBE-Lite 

Stylish Guitar Amp with Built-In iOS Interface

Combining great COSM guitar tones, iOS interfacing, and a quality 2.1 Channel audio system, the CUBE Lite Guitar Amplifier lets you play and record at home along with your iPhone, iPad, or iPod touch. Connect your iOS device to the i-CUBE LINK jack and launch the free CUBE JAM app, then riff along with backing tracks and record your playing to share your music and archive song ideas. With stereo speakers and an integrated subwoofer, you’ll enjoy rich, satisfying sound reproduction for both guitar playing and casual music listening. And with an attractive look that blends with any home décor, the CUBE Lite Guitar Amplifier can occupy a permanent spot in your living space, always at the ready when you want to plug in and jam.

  • Compact guitar amp with a stylish look for home living spaces
  • JC CLEAN, CRUNCH, and EXTREME COSM tones, plus stereo chorus and reverb effects
  • Great-sounding 2.1 Channel audio system, with stereo speakers and integrated subwoofer
  • i-CUBE LINK jack provides simple audio interfacing with Apple’s iPhone, iPad, and iPod touch
  • Free CUBE JAM app for iOS plays songs and minus-one jam tracks, and lets you record the CUBE Lite’s COSM amp tones along with music playback
  • Includes cable for two-way communication (playback and recording) with iOS devices
  • Available in three colors: black, white, or red

Killer Guitar Tones

The CUBE Lite Guitar Amplifier provides three great COSM tones—JC CLEAN, CRUNCH, and EXTREME—giving you a wide range of sounds for playing any style of music. Reverb and chorus effects are onboard as well, with true stereo performance for a wide, expansive sound.

2.1 Channel Audio System for Impressive Sound

Equipped with stereo speakers and an integrated subwoofer, the CUBE Lite’s powerful 2.1 Channel audio system delivers a rich, full sound that belies the amp’s compact footprint. When you want to practice silently, just plug in a set of headphones to mute the onboard speakers.

Easy iOS Device Integration with i-CUBE LINK

With the newly developed i-CUBE LINK interface, the CUBE Lite Guitar Amplifier lets you integrate your iPhone, iPad, or iPod touch with your axe in a familiar and satisfying way—through a real amp with great tone. Other interfaces require bulky, specialized add-ons to plug your guitar direct into the iOS device, resulting in a clumsy, inconvenient playing experience. With i-CUBE LINK, you just connect to your device’s audio jack with the included cable, then blend the COSM tones and iOS audio together at the amp with simple, intuitive controls. The versatile i-CUBE LINK jack can also be used as a simple stereo input, enabling you to hook up nearly any music player or audio device and play it through the CUBE Lite.

CUBE JAM App

The free Roland CUBE JAM app turns your iOS device into a fun command center for jamming, recording, and learning. Play back commercial songs and minus-one tracks through the CUBE Lite via i-CUBE LINK, and riff along for hours with awesome COSM tones. CUBE JAM also records audio through the i-CUBE LINK connection, allowing you to easily capture your jams. After you’re done recording, you can adjust the volume of your guitar and backing music independently, then export your mix to a 16-bit, 44.1 kHz WAV file. The app also includes great tools for music practice, including independent speed and pitch adjustment of audio playback, Center Cancel to remove solos and create your own jam tracks, and more.

Direct Mode

Normally, recording from the CUBE Lite Guitar Amplifier into CUBE JAM or another app captures the sound as you hear it, with the COSM tone applied. Activating the CUBE Lite’s Direct Mode feature lets you capture dry guitar sounds while monitoring with the COSM sound. Recording dry tracks in this way gives you the option to experiment later by “re-amping” with any guitar app of your choice. Direct Mode also allows you to use real-time guitar processing in any app, monitoring the live output with the CUBE Lite.

Stylish Design for Modern Living Spaces

Offering an appearance more like a consumer audio system than a typical rugged-look guitar amp, the CUBE Lite blends in seamlessly with any home living space. In addition to being a great guitar amp, it also doubles as a high-quality playback system for your digital music library. With three different finishes to choose from (black, white, or red), you’re sure to find the perfect match for your home furnishings.

Specifications

Rated Power Output
10 W (Stereo speakers 3 W x 2 + Subwoofer 4 W)
Nominal Input Level (1 kHz)
INPUT: -10 dBu
i-CUBE LINK/STEREO AUX IN: -10 dBu
Speakers
7.5 cm (3 inches) x 3
Amp Types
JC CLEAN
CRUNCH
EXTREME
Controls
POWER switch
Amp Type switch
DRIVE knob
VOLUME knob
BASS knob
TREBLE knob
CHORUS/REVERB knob
Control (i-CUBE LINK/STEREO AUX IN)
VOLUME knob
Indicator
Amp Type
Connectors
INPUT jack: 1/4-inch phone type
i-CUBE LINK/STEREO AUX IN jack: 4-pole miniature phone type
PHONES jack: Stereo miniature phone type
DC IN jack
Power Supply
AC adaptor (DC 5.7 V)
Current Draw
1000 mA
Accessories
Owner’s Manual
AC adaptor
Mini cable (4 poles)

Size and Weight ?excluding AC adaptor?

Width (W)
250 mm9-7/8 inches
Depth (D)
147 mm5-13/16 inches
Height (H)
135 mm5-3/8 inches
Weight
1.7 kg3 lbs. 12 oz.

* 0 dBu = 0.775 Vrms

All specifications and appearances are subject to change.

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AKAI Pro RPM800 Studio Monitors http://bothners.co.za/products/studio-recording/akai-pro-rpm800-studio-monitors/?utm_source=rss&utm_medium=rss&utm_campaign=akai-pro-rpm800-studio-monitors http://bothners.co.za/products/studio-recording/akai-pro-rpm800-studio-monitors/#comments Mon, 21 Jul 2014 13:57:14 +0000 http://bothners.co.za/?p=27357 Read More: AKAI Pro RPM800 Studio Monitors]]>

AKAI Pro RPM800 Studio Monitors

A Fortress of Sound

Engineered for meticulous reproduction of even the most complex modern music, Akai Professional’s RPM800 studio monitors easily handle layer after layer of sound, providing critical detail and the tools needed to mix with confidence. The fast Kevlar® cone provides lucid low-end agility, reproducing intricate bass patterns with ease. It’s authoritative sound for the craft of music production, only from Akai Professional.

Pure Bi-Amplified Power 

RPM800 offers pure and accurate frequency response from 38Hz to 30kHz. The 120-Watt distributed Class A/B provides the woofer and tweeter dedicated amplification—80 Watts to the woofer, 40 Watts to the tweeter—meaning you get ultra-efficient power and minimal distortion. The flared rear-firing bass port delivers low-frequency depth and definition

Meticulous Control

Dedicated proximity and EQ-tailoring controls give you the ability to fine-tune the speaker in diverse mixing environments. RPM800 also features HF Trim, MF Boost, and LF Cutoff controls, which allow you to find the right balance in any environment. The included monitor isolation pad dramatically decreases structure-borne resonances, and the integrated radio frequency protection preserves signal purity. RPM800 includes XLR, balanced ¼-inch TRS, and RCA inputs.

Solid to the Core

RPM800’s cabinet is painstakingly reinforced to minimize flex, combating unwanted coloration while blocking anomalies and sound artifacts from polluting your mix. The no-compromise build quality is reflected even in components you’ll never see such as the recess-mounted amp, on/off transient protection, and 14-gauge wiring to transducers. RPM800 also features a built-in output current limiter, over-temperature limiter, and subsonic filter—a full array of top-notch components that make all the difference in the purity that you hear.

Features

  • Pure and accurate frequency response from 38Hz to 30kHz
  • 120-Watt distributed Class A/B amplification provides ultra-efficient power with minimal distortion
  • 80-Watt 8-inch (203.2mm) woofer with 1 ½-inch (38.1mm) voice coil and high-damping rubber surround
  • 40-Watt silk-dome tweeter with 1 ¼-inch (31.7mm) voice coil
  • Proximity Control for low-end tailoring
  • HF Trim, MF Boost, and LF Cutoff controls allow you to mix in any environment
  • Included monitor isolation pad dramatically decreases structure-borne resonances
  • Integrated radio frequency protection plus magnetic shielding preserves signal purity
  • Recessed amp mounting, external heat sink, and 14-gauge wiring to transducers
  • On/off transient protection and external mains fuse
  • Output current limiter, over-temperature limiter, and subsonic filter
  • Flared rear-firing bass port delivers low-frequency depth and definition
  • XLR, balanced ¼-inch TRS, and RCA inputs

Specifications

  • Dimensions (each): 17.1″ x 14.2″ x 11.3″
  • Weight (each): 30.1 lbs
  • Power configuration: Bi-amplified
  • LF Driver size: 8 inch (203.2mm)
  • HF Driver size: 1.25 inch (38.1)
  • LF Driver amp: 80-Watt
  • HF Driver amp: 40-Watt
  • Input: XLR, balanced 1/4 inch (6.3mm), RCA
  • Enclosure type: Ported
  • Frequency range: 38 Hz to 30 khz

 

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