The power amp section has the potential to significantly exceed the wattage value indicated by the model name. The tube-driven Vox Valve Reactor circuitry is at the heart of creating warm, fat tones!
Read More: The Vox VT20+ Guitar Amp
Bass Player Magazine: “The BH500 is an excellent amp with tons of possibilities with a cool set of all-round options. The sounds are full and powerful, with room filling, pronounced mids. Highest marks to this red Dane.”
Read More: TC Electronics BH500 Bass Amp Head
“It’s one of the best sounding amps we’ve ever plugged into” Guitarist Magazine Review April 2012 Issue 35. Unique design with accolades as first 50-watt RMS parallel single-ended Class-A amplifier and first to use 5 x EL34 output tubes.
Read More: Laney Lionheart – L50H Guitar Amp
The RB8 offers 300 watt RMS of full on bass tone in a bass combo featuring a 15” custom driver, EQ – featuring bass, treble and 7 band graphic mid, an overall Enhance, a Compressor and a switchable limiter in a solid cabinet with top and side handles. Exactly what you need for gigging, recording or just waking up the neighbours.
Read More: Laney RB8 Bass Amp
VOX continues their collaboration with legendary American boutique amp designer Tony Bruno, exploring new tonal territory with the VOX Bruno TB18C1 guitar amplifier.
Read More: Vox’s Tony Bruno Guitar Amps – The TB18C1
Do you need to amplify your acoustic instrument but maintain the right tone? Are you not getting it from electric guitar amps, or PA systems? The answer is the Cort AF30 and AF60 acoustic amps, with mic and aux inputs, instrument input, 4 band graphic equalizer, feedback eliminator, efx, reverb and a headphone out. Read more.
Read More: The Cort AF60 Acoustic Instrument Amplifier
Legendary Black Sabbath guitarist, Tony Iommi, has a new Laney signature series amp. With Laney’s unique dual wattage input option, you can push the EL84 valve output section hard and get 15 watts RMS of full on tone, or plug into the “less than 1 watt” and get exactly that – your same great tone but at less than 1 watt. Plus!! Silent Record, both in studio or live.
Read More: New Tony Iommi Amp! Backstage Sized Valve Tone
Need an acoustic amp with mic and aux inputs, instrument input, 4 band graphic equalizer, feedback eliminator, efx, reverb and a headphone out? Read more.
Read More: Cort AF30 Acoustic Instrument Amplifier
TransActive Mobile is the perfect PA system for outdoor parties, mobile musicians, business meetings and sporting events. A built-in retractable handle and flight-case style roller wheels allow this PA to travel with you wherever you go.
Read More: Alesis’ TransActive Mobile – PA System
A blizzard of artists, producers, engineers, and sound designers spent countless hours creating, comparing, and tuning every last amp model. The result is 16 exceptional models (four of which are world-premiering with Spider IV) that exhibit sophisticated touch response, complex distortions, and compression that breathes like it’s emanating from a vintage tube amp.
Read More: Line 6 Spider IV – 75 watt Guitar Amp
The engineers from Peavey have come up with a real winner as usual. With 35 watts of power, speaker protection, Max, Modern and Vintage Voicings, and their Transtube simulated valve amp technology, these amps are great for practice purposes.
Read More: Peavey MAX 112 Bass Amp
The portable MB60 Watt, 1×12 in. combo packs a mighty bottom-end punch making it ideal for the rehearsal room or the pub gig. The combo has two channels (Modern and Classic) with a separate EQ for each. The Modern Channel features Bass, Treble, parametric Mid and a switchable compressor with variable level control. The Classic channel with its ECC83 preamp valve includes a Boost switch and has a 3-Band passive tone network featuring a mid Voice control with three modes. The channels are selectable via the supplied single footswitch.
Read More: Marshall MB60 Bass Combo Amp
It’s a cold-hearted guitarist who doesn’t experience a flutter of excitement at their first glimpse of the VC range. Vintage in attitude and packed with warmth and tone, the VC range covers vintage guitar tones with ease and provides enough gain for contemporary playing.
Read More: Laney VC15-110 – 15 Watt Valve Amp
Fender® Frontman® amps deliver quality tone at a great price, with the unmistakable Fender Blackface™ look. The 100-watt Frontman 212R features two 12” Special Design speakers, classic styling, simple controls, drive and more drive distortion and channel switching, and reverb. One of the best bang-for-the-buck amps around.
Read More: Fender Frontman® 212R
HyDrive transducers represent a revolutionary improvement in bass speaker technology and a major leap forward, fusing paper and aluminum in a roadworthy speaker design that is more robust and efficient than anything available. With Hartke’s HyDrive series, you get the best of both worlds: the warm tone of traditional paper cones and the clear, punchy attack of aluminum. HyDrive’s patented Hybrid Cone Technology produces a speaker that uses an outside paper cone to push a warm, deep low frequency and an inner aluminum cone that produces mids and highs that cut, yet still remain sweet.
Read More: Hartke H115C HyDrive Bass Amp