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The BOSS OC-3 Super Octave gives guitarists/bassists high-quality octave effects with a single stomp. Three modes are provided, including a new Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2 mode. The versatile OC-3 also has separate inputs for both guitar and bass. Read More: The Boss OC-3: Super Octave
Every musician battles hum in their signal chain. The Hum Debugger turns it into dead silence, courtesy of a little EHX magic. Not a noise gate, and not a noise suppressor — but a real hum extractor. Silence is golden. Read More: The Electroharmonix – Hum Debugger
Inject a shot of high-octane fuel into your music with the SL-20 Slicer. Instantly transform a guitar, bass, keyboard, or vocal into a pulsating groove instrument. Choose from 50 onboard Slice patterns or experiment with the SL-20′s innovative Harmonic Slicer feature, which generates percussive melodies, Loop Record, and unique 3D Panning. Read More: Boss’ SL-20 Slicer
The dual potentiometer has a 500k ohm resistance suitable for the audio path of passive or active instruments. Attached to the footplate is a switch that provides the user two operating modes – volume or pan. Read More: The Ernie Ball 500K Stereo/Pan Volume Pedal
The Bass Driver™ features three different bass overdrive distortion pedal models to select from. Go from a light overdrive to all out Fuzz or morph in between. Read More: The Digitech Bass Driver™ – Modelling Overdrive / Distortion Pedal
The GP-20 Amp Factory™ offers a variety of incredible COSM® Guitar Amp models designed for live performance or recording—22 in all. Thanks to its simple knob-based controls, two-channel operation, and ability to model the best amps ever made, the brilliant GP-20 is a tonal monster for live or studio applications. If you want the tone you, gotta get this!!! Read More: Boss’ GP-20: Amp Factory
DigiTech® invented multi-effects in 1988 with the DSP-128 and has been the leader ever since. The BP90 features 27 effects, 11 amps, 5 cabinets, and 5 stompboxes. Placing any tone right at your feet, the BP90 features 100 presets locations (50 user and 50 factory) plus a built in drum machine and an expression opedal fo volume, wha-wha, or effect parameter control. Great for recording or live performance. Read More: The Digitech BP90 Bass Multi-effect Unit
Tube power explosion! Vox’s most compact ToneLab ever offers thirty-three different amp models with a versatile array of cabinets and effects to take your guitar playing to the next level – wherever you go. Introducing the Valvetronix series ToneLab ST; bringing true-tube pro-level sound to everyone. Read More: Vox’s Tonelabs ST – Valve Powered Guitar Multi-effects
The classic chorus! The analogue chorus pedal popularized by Kurt Cobain, in songs like “Come as You Are”. The finest analogue chorus sounds: from clear, rich and dimensional, to warm pulsating warbles, can be intensified with the Depth Control. Simple tweaks generate exciting doubling effects, chiming 12-string tone, or Leslie-like warbles. Read More: The Electroharmonix Small Clone – Analogue Chorus Effect
What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970’s, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality. Read More: Electroharmonix’ Memory Boy – Analogue Delay with Chorus / Vibrato For Guitars
The Ernie Ball Wah is a rugged tough pedal built like a tank and road ready for any pedal-board, studio or jam room you may encounter. This pedal features a very smooth, fluid response with a dynamic range capturing the lowest low to bright shimmering highs. The Ernie Ball wah is voiced nicely for rock soloing and/or the funky syncopated rhythm work ala Nile Rogers and George Johnson, 1978. Read More: The Ernie Ball Wah Pedal
Drawing on Joe Satriani’s knowledge accumulated from decades of groundbreaking performances – The Satchurator™. “The Satchurator is the most musical, most dynamic, multi-function distortion pedal I’ve ever played through” says Satriani. “This little red box is a monster tone generator. Following my specifications without compromise, and adding design innovations I never thought possible, the VOX team has delivered exactly what I need for the stage as well as the studio: a distortion pedal that responds to my touch, and produces a big, natural, harmonically rich tone compatible with any guitar/pedal/amp configuration.” Read More: The Satchurator: Joe Satriani’s Signature Distortion Pedal
Are you thinking 2 octaves up? Think 4!! With three-voice harmonies, and four intelligent pitch-shift effects in one convenient unit, plus 4 octaves up or down, this is Boss!! Among the effect modes are Harmony, Pitch Shifter, and Detune, plus the all-new Super Bend for authentic pedal-bending effects and wild three-and four-octave pitch sweeps. You can even control pitch with an optional expression pedal. The harmony function is fast and simple to use, and supports a variety of interval patterns. The PS-6 Harmonist is an unbeatable combination of superior sound quality, ease of use, and powerful pitch effects, all under one hood. Read More: The Boss PS-6 Harmonist
The ST-2 lets you enjoy a rich, clean tone when playing soft, and smoothly transition into a fat crunch as you play harder. The SOUND knob is a controller that is uniquely BOSS. Simply set it to the tone type you’re looking for. The SOUND knob not only changes gain but sound character as well, with a stunning amount of power that’s akin to coveted tube amps and professional amp stacks. Read More: The Boss ST-2: Power Stack
Boutique quality and design for the working musician. The sound of valves in a guitar effects pedal. Classic rock ‘n roll… Read More: Seymour Duncan’s Twin Tube Classic™ Pedal
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