And the Winner! WROXETER!

They are Stewart and Mark Badham-Thornhill, Eddy Vink, Brendan Reich and Benny de Lange!

Wroxeter have won the Paul Bothner Music sponsored competition called, Forever Young. Their representative, Mark (pictured to the left) , accepted the Winner’s Gift Voucher from Assistant Manager, Edgar Syce, at our Plumstead branch.

What is Forever Young?

The Forever Young Amateur Music Competition 2012, was conceived by Frank Resnik and is a pilot project, aimed at showcasing the more mature amateur musician, who does not necessarily have the opportunity to play live but has a passion for music and would like a musical challenge.

Having found that there’s a wealth of untapped talent in our surrounds, Frank has changed that. He and William Coates, the owner of Ferryman’s Tavern at the V&A Waterfront have helped to give people an opportunity to take their talent and present it on the right platform.

Who may participate?

In the interest of fairness, participants are not professional musicians and may not have received their main source of income making music, or from other music related services rendered to the music industry, within the past five years. Music teachers, sound engineers, professional composers and songwriters etc do not qualify.

Prizes include:

• A contract to play for an extended period at Ferryman’s
• 3 studio recording sessions, each 8 hours long, at Milestone Recording Studio, including a ‘demo’ CD of the completed recording, personalized iPhone covers
• musical instruments and accessories, including Shure microphones and a Fender Stratocaster guitar
• music store vouchers
• restaurant vouchers
• spot prizes of beer, wine, soft drinks
• and t-shirts, caps etc for participants and the audience.

With an intuitive layout and the included AkaiConnect automatic-mapping software, MAX49 offers a fully immersive experience with virtually all VSTTM plug-ins and music software. From its 49 semi-weighted keys and 12 real MPC pads, to its groundbreaking LED touch faders and vintage CV & Gate outputs, MAX49 combines cutting-edge Akai Pro technology with classic capabilities, to deliver an unprecedented music-making experience.

MAX49 represents the state of the art for keyboard controllers. It’s an instant standout due to its most distinguishing feature: four banks of eight backlit LED touch faders, allowing the assignment of up to 32 control parameters. These illuminated LED touch faders can be used like analog faders by simply dragging a finger along the strips, or musicians can perform instant leaps in any MIDI value from zero to maxed out—an unparalleled keyboard controller capability.

Equipped with four banks of 12 backlit MPC pads, MAX49 provides a total of 48 assignable pads, allowing for the integration of legendary Akai Pro production capability into live performances and recording sessions alike. These velocity sensitive pads come with classic MPC Swing, Note Repeat, Full Level and navigation controls to allow musicians to create music at the highest level.

MAX49 comes ready to command any controller hardware or software from any era: USB MIDI, traditional 5-pin DIN MIDI as well as Control Voltage and Gate outputs give users the ability to control everything from today’s most advanced music software to analog modular synths from as far back as the 1960s. Mackie Control and HUI protocols also give instant compatibility with many industry standard DAWs.

49 semi-weighted keys with Aftertouch are onboard, providing professional feel, perfect response and full musical expression. Large, centrally positioned transport controls offer straightforward track navigation, while rubberized pitch and modulation wheels provide for creative flourishes. MAX49′s expanded arpeggiator includes a latch button as well as eight different time divisions to create sweeping and endlessly varied melodic cascades. A built-in step sequencer allows musicians to bring their music from concept to reality with exacting detail.

Included AkaiConnect automatic-mapping software allows users to be up and running in their favorite DAW and VST plugins in seconds, eliminating the guesswork.

“We wanted to build a controller that pushes the boundaries but also embraces classic technology,” said Dan Gill, Akai Professional Product Manager. “MAX49 combines features and technology that have never been together before – we can’t wait to see how musicians will use it.”

Andy Turrell joins our

Glenwood Village Music Team

Andy Turrell will be taking over from Brian Chamier at our KZN Glenwood Village Music store. Andy’s strengths and knowledge include guitar, slide, pedal steel, drums and PA, having virtually grown up in an audio repair workshop.

Andy has an extremely notable music career. Most notably as the drummer for Dan Patlansky…

Paul Bothner Music saves Amy April’s guitar lessons by trading in her inferior guitar, purchased at a non-music store for a brand new Cort Guitar.

Amy was told that if she does not get a guitar that stays in tune, for her guitar lessons, she might not be able to continue studying with that tutor. Her mother e-mailed Paul Bothner Music, asking if we could help her solve her problem. Paul Bothner Music automatically jumped at the opportunity, as this is a common problem which the general public has, when purchasing a first guitar, bass, keyboard, or public address system and so on.

Non-music stores selling no-name brand musical instruments, often mislead the public in thinking that their products are industry standard but they are not! We all know that the economic state is not helping this situation. Paul Bothner Music is well aware of this. However it’s better to save a little and visit a professional Music Instrument Shop and get the right advice and instrument for your needs, thus saving you time and money, while building a long standing relationship between you, the salesperson and the company.

Situations like these arise everyday, and it’s sad to see money being thrown away for a passion to play music, while purchasing an inferior quality and brand of instrument. Paul Bothner Music fights this uphill battle everyday and it’s time to put a stop to it, by telling the general public this story.

Darren Sheldon (Paul Bothner Music) left, Amy April right.

*“More then a year ago I bought a guitar at Cash C********s. It was a Christmas gift for my 11 year old daughter. I didn’t know anything about music instruments only that it can make different sounds. Three months ago I send her for guitar lessons and she enjoyed the lessons and music she played but the music tutor never used her guitar because of the bad sound and it never stayed in tune. She got frustrated practising at home and soon lost interest playing.

I then decided to email some music shops for more information on different guitars and sounds. I got a first day respond from Paul Brothner music shop in Claremont. They were most helpful helping me to selecting a guitar for her and discussed which kind of guitar she needs and I thought a guitar is a guitar lol.

The first time she got a new guitar her face lid up. Even I that don’t know anything about music instruments could hear the crystal clear sound that came out of it. Wow! My daughter Amy now recognize what she plays and is motivated to practise. This is an awesome feeling as I struggled to get her motivated before. She is now consistent with her practising and that makes me so happy.”

*written statement by Natasha April

E-mail statement by Natasha April

New Developments at Tunes Studio

Tunes is a rehearsal studio that acts in the interest of local music by providing affordable practice space, good quality reference rehearsal recordings, drum lessons and retailing in musical accessories including guitar strings, drumsticks and larger items that can be ordered from Paul Bothner Music. They recently added new items to our stock such as drum skins, cymbals, guitar and bass pedals. We also stock electric, acoustic and bass guitars.

Tunes is open for bookings seven days a week from 08h00 to 24h00.
Bookings can be made by contacting Jean on 082 7704798 or by e-mail, tunesstudio@gmail.com

About

Tunes – Growth in Music is a rehearsal room that provides a basic service to musicians that includes: a practice room with basic drum facilities: Kickdrum, 2 x Toms & Floor Tom, 4 x Boom – and one straight cymbal stands, Hihat stand, Snare stand and a drum stool. There’s a 200 watt, 8 channel mixer amp, with 2 x 150 watt speakers, as well as 2 x vocal mics plus stands and 2 x cooling fans, guitar stands and a music stand. There are 2 amps available for hire, one 120 watt Laney bass amp and a 100 watt Marshall guitar amp, both are R15 per hour per amp. The room has been developed for good acoustics. There’s also storage space available (R100 per month for 7 items and R20 extra per item for any additional items), a tuck shop with standard beverages and a little space to enjoy a cooldrink. Toilet & basin facilities are available.

Goal

The Tunes guys say: “Tunes would like to see an upliftment in the standard of the Stellenbosch music scene, not to say that there is anything wrong with it, but an affordable rehearsal space gives musicians an opportunity to improve their music skills.

Therefore, creating better quality music for the public to enjoy… We encourage all Tunes bands to stock any band merchandise on our display table at Tunes Studio. If your band is interested in this option, please contact Jean @ 0827704798.”

Directions

When you get to Bridge street look out for Simunye Fisheries (on your left), drive past it and past Thumb’s Up and Tubs and Barrels. Be on the look out for ‘Tunes Studio’, next to Jo Marlin Cafè, on your right. (About 20 metres from the old premises.) Also check their facebook page and Map.

Operating Hours and Rates

They’re are open for bookings seven days a week!
Rates: 8am-12pm – R70 per hour
Reference rehearsal recordings costs: R15 for one song. R40 for 4 songs.

Contact: For bookings and more information, contact Jean @ 082 770 4798 or tunesstudio@gmail.com

Membership and Contracts

Bands or musicians can obtain membership from Tunes Studio in the form of a contract. This contract enables members to choose between three bundle booking options.

Option 1) R400 per month for 8 hours
Option 2) R360 per month for 6 hours
Option 3) R260 per month for 4 hours

This contract is viable for two months and needs to be renewed if you wish to continue your chosen option.

Th’ Damned Crows

We asked the band, Th’ Damned Crows to give us an idea of what kind of gear they’re using and we got this response…

Liam (Bass & Vocals):

“I use an Ashdown Evo III Bass Head + Ashdown 8×10 cab. The Ashdown Evo range has more punch than any other bass amp I have used before. Firing a 600W head through an 8 X 10 cabinet also gives me great feedback control, which can be a nightmare for double bass players. I play a Schechter solid-topped double bass and use an Underwood pick-up for my bass channel and a basic microphonic acoustic pickup, for my slap signal. I endorse Innovations strings who are based in the UK, and use their ‘Silver Slap’ range which is a low tension kevlar-cored, steel-wound string aimed at the Rockabilly player.”

Ronnie (Drums):

“I hit hard, very hard. I use Mapex Drums (Mars Series), Evans drum heads (on my toms) and Remo heads on my snare drum. I find that the Mapex kit has a certain ‘heaviness’ in sound, which adds a big sonic element to the rhythm section. All other hardware is Gibraltar due to its durability and quality. My double bass kick pedal is also Gibraltar, customized with wood beaters for a bit more punch. All my cymbals are Zildjian (Scimitar and Z Customs), which are the perfect cymbals for my purpose and sound. As for drum sticks, I prefer something that has some weight to it and therefore use Vater power 5A or DSK, but I also use Zildjian 5B sticks.”

Zoltan (Harmonica):

“I currently use Seydel (classic 1847) steel reed plate harmonicas because of it’s fuller sound and richer tones, which best compliments the musical style of Th’ Damned Crows. I use a Shure SM57 microphone, with a fitted volume control, specifically customized for my requirements. My amplifier was also custom built and is a 24 watt, class-c valve amplifier, custom made for harmonica amplification. For effects I use the BBE Sonic Stomp, a Boss DD-3 Digital Delay and Harp-Attack overdrive.”

Sven: (Guitar)

“For my tube sound I play through a customised Marshall JCM900 head and 2 x 2×12″ cabs with Celestion speakers. My primary guitar at the moment for Th’ Damned Crows is a Japanese Fender Stratocaster with a customized neck, and sounds great when played through the humbucker at the bridge (note: Sven has been known to use the Ernie Ball Cobalt strings to increase frequency to the pickup). Between Liam and myself we also have a small collection of hollow body guitars to choose from when recording. My wishlist for pedals is growing slowly but all I’m using for now is a Boss DD-7 to create some slap-back.”

For free mp3 downloads of their music, click the link

https://soundcloud.com/thedamnedcrows

Check out this great quality live clip of them at Carnival Court - The song is called ‘Something Wicked this Way Comes’

MIPA Winners 2013

Musikmesse International Press Award (MIPA)

Check out all the winners in the different categories and have a look at Laney’s Musikmesse video 

Laney at Musikmesse

Laney had a very successful display at the Frankfurt Musikmesse. Here is video with highlights of their time there, featuring the new products on show, the wonderful stand and of course their fantastic endorsees, who demonstrated the products: Mattias ‘IA’ Eklundh, Christophe Godin and Andy James.

Fotis Benardo of Septicflesh Musikmesse

Mapex artist Fotis Benardo of Septicflesh performed at the Agora Stage. He demonstrated the Mapex Falcon Pedal – the perfect vehicle for his blistering double pedal technique, at the Mapex booth. There was an artist signing session at the Mapex booth, following the Agora stage performance.

Categories

Please note that all the products highlighted in red are recommended by Paul Bothner Music.

Best innovative product

• Kemper Profiling Amplifier
• Peavey AT-200 Guitar
• TC Toneprint Pedals

Bass

Bass Amp

• TC Electronic BH 250
• Warwick LWA 1000
• Fender Super Bassman

Bass Cabinet

• Ampeg PN-410HLF
• Hartke HyDrive 112 bass cabinet
• Warwick BC810

Electric Bass

• Ibanez SR 4 XXV
• Squier Vintage Modified Jazz Bass
• Warwick Triumph Upright Bass

Acoustic Bass

• Kala Acoustic-Electric U-Bass
• Takamine EGB2S-N
• Warwick Alien Deluxe

Drums

Acoustic Drums

• Gretsch Brooklyn Drums
• Tama Star Drums
• Yamaha Live Custom Drums

Cymbals

• Meinl Byzance Sand Cymbals
• Paiste Formula 602 Modern Essentials
• Zildjian New A Zildjian Cymbals

Drum Hardware

• Gibraltar G-Class Bass Drum Pedal
• Ludwig Atlas Pro Hardware
• Sonor Perfect Balance Bass Drum Pedal

Drumheads

• Aquarian Triple Threat
• Evans Level 360
• Remo White Suede

Drumsticks

• Regal Tip Danny De Los Reyes Signature
• Vater Blaster
• Vic Firth 50th Anniversary American Classic SD1/SD2

Electronic Drums

• Mark Drum YES
• Roland TD-4KP Portable
• Yamaha DTX 450K

Percussion Instrument

• Meinl Artisan Flamenco Cajon
• Remo Versa Drums
• Toca Triple Conga Cajon

Guitar

Electric Guitar

• Ernie Ball/Music Man Armada
• Fender Johnny Marr Signature Jaguar
• TV Jones Spectra Sonic C Melody Baritone

Acoustic Guitar

• Fender Kingman USA
• Martin HD-28 Retro
• Taylor Grand Orchestra

Guitar Amp Combo

• Fender Bandmaster
• Magnatone Twilighter
• Yamaha THR10

Guitar Amp Top

• Ampeg GVT15H
• Kemper Profiling Amp
• Marshall JVM 410 HJS

Guitar Effects

• Boss GT-100
• TC Electronic Ditto Looper
• Zoom MS 100BT

Pickups

• DiMarzio Ionizer 8
• LR Baggs Lyric
• Seymour Duncan Joe Bonamassa Signature Pickup Set

Acoustic Guitar Amp

• AER Alpha Plus
• Fishman Loudbox Artist
• Ibanez Troubadour T20

Strings

• D’Addario XL Balanced Tension Strings
• Ernie Ball Slinky Cobalt
• Martin SP Lifespan Strings

Keyboards / Software

Synthesizer Hardware

• Arturia MiniBrute
• Korg MS20 Mini
• Studiologic Sledge

Sound Library

• Garritan Instant Orchestra
• Native Instruments Komplete
• Best Service Ethno World

Keyboard Workstation

• Korg Kronos X
• Kurzweil PC3X
• Yamaha Motif XF

Controller Keyboard

• Akai MAX49
• Nektar Panorama P4
• Novation Launchkey

Software Instruments

• MOTU MachFive 3
• Synthogy Ivory II Grand Pianos
• u-he DIVA

Organ/Portable Keyboard

• Clavia Nord C2D
• Hammond SK-Series
• Korg Pa3x Musikant

Live Perfomance Tool

• Ableton Push
• Native Instruments Maschine MK2
• Arturia Spark

Pro Audio

Portable Sound

• Yamaha Stagepas 400i/600i
• HK Audio Lucas Nano 300
• Line 6 StageSource L3t

PA-System

• d&b V-Serie
• JBL VTX
• Nexo STM

Live Microphone / IEM

• DPA D:facto II
• Sennheiser Digital 9000
• AKG D12 VR

Mixing Desk (Live)

• Behringer X32
• DiGiCo SD5
• Soundcraft Si Performer

Studio

Studio Microphone

• AEA A440
• AKG D12VR
• Audio-Technica AT5040

Studio Monitor

• ADAM Audio F7
• Focal SM9
• PMC TwoTwo

Recording Software

• MOTU Digital Performer 8
• Presonus Studio One 2.5
• Steinberg Cubase 7

Recording Hardware

• Allen & Heath ICE-16
• RME HDSPe MADI FX
• Universal Audio Apollo

Mixing Desk (Project Studio)

• Allen & Heath GS-R24
• Behringer X32
• PreSonus StudioLive 16.0.2

Field Recorder

• Olympus LS-100
• Roland R-26
• Zoom H2n

DAW Controller

• Keith McMillen Instruments QuNeo
• Nektar Panorama P1
• Steinberg CMC Series

Audio Processor (Software)

• iZotope Ozone 5 Advanced
• Slate Digital Virtual Tape Machines
• Zynaptiq Unveil

Audio Processor (Hardware)

• Aphex EXBB 500
• Heritage Audio 2264E
• Radial Engineering Tossover

Louis Brittz @ Jean Village Music

Louis Brittz has been in the forefront of Afrikaans gospel music in South Africa, for almost 2 decades, transforming praise and worship in Afrikaans churches. He’s also been part of big events like Loftus for Jesus and Mighty Men camps, with Angus Buchan. His backing band features phenomenal musicians, all of whom are session players.

Wow what an event! It was well attended by people driving through from as far as Vereeniging. We started at 11am with some introductions, followed by the band’s performance. Louis was backed by Andries Visser on drums, Marius Smit on bass, Martin Bravenboer on electric and Jacques Manuels on keys and piano. The band played like a well oiled machine. The dynamics in the songs were extremely well played by the entire band.

After a couple of songs, Louis began to address some issues which most churches have, like how to mix the band for worship and where to start. He then went on to ask the band members to explain what they’re using in terms of gear and why they’re using it. It came down to ‘you need to find/figure out what your church’s sound is like and how you’re going to adapt, to complement that sound with your instrument.’ To sum it all up, everyone who attended, left here with all their questions answered…

By: Jean Village Music Manager Louis Diedericks

GAIA SH-01 FREE SOUND BANK 

Tell Roland about your GAIA SH-01 Synthesizer and get a FREE, custom Fisher Sound Bank.
This new Sound Bank can be loaded into the user bank of the GAIA,
or copied to a USB flash drive to utilize the open USB memory patch bank.

Or buy the SH-01 and get the Sound Bank FREE!

Click the link for more on this awesome offer while you can!

GAIA SH-01 Free Patch Sound Bank | Promotion Details | Roland U.S.

History and Features of the GAIA

The Great sound of the GAIA

Overview

Flash Back, Flash Forward

With its massive sound, hands-on ease, and affordable price, the GAIA SH-01 is a high-performance value with old-school charm. The triple-stacked engine puts potent virtual analog synthesis under your fingertips, yet the control panel is so fun, friendly, and inviting, even first-timers can create great sounds. The signal flow is simple to grasp, with logically arranged knobs, sliders, and buttons. Hands-on control and fat sound make this little powerhouse a joy for music students, songwriters, session players, and live performers of all styles and skill levels.

• Huge sound with three virtual analog engines onboard, each with a dedicated oscillator, filter, amplifier, envelope, and LFO
• Layer up to five simultaneous effects, including distortion, flanger, delay, reverb, low boost, and more
• 64-voice polyphony for massive sounds without note drop-out
• Fun, hands-on control panel that’s great for instant gratification, and for learning synthesis
• Lightweight, compact body with 37 full-size keys
• Runs on AC or battery power for portable convenience
• D Beam, arpeggiator, and Phrase Recorder onboard
• USB ports for saving user patches to USB flash drives, and for audio/MIDI connection to computers

TRIPLE-FAT VIRTUAL ANALOG

Sink your teeth into the new triple-stacked virtual analog engine, comprising three complete synths for incredibly thick, powerful sound. Unleash the beef of three oscillators that drive a trio of multimode, resonant filters, multi-shape LFOs, and amplifiers, plus nine envelope generators. It’s like having three synthesizers in one! With 64 polyphonic voices onboard, the GAIA SH-01 makes it possible to play massive sounds without experiencing note drop-out.

STACKABLE EFFECTS

From the silkiest reverb to the grittiest growl, the SH-01’s instantly selectable multi-effects will catapult your sounds into another spatial dimension. You can layer up to five simultaneous effects for dozens of variations. The onboard effects include reverb, distortion, fuzz, bit crash, flanger, phaser, pitch shifter, low boost, and delay with panning and tempo sync. Dedicated control knobs are provided for tweaking the effects in real time.

PORTABLE POWER

At less than 10 pounds, the GAIA SH-01 is lightweight, compact, and great for musicians on the go. The 37-note keyboard is full-size, however, so performers can play naturally and comfortably. The synth can be powered via AC or batteries* for the ultimate in portable convenience. A battery-life indicator on the front panel ensures that you won’t lose power unexpectedly. When used in conjunction with a battery-powered amp such as Roland’s CUBE Street, MOBILE CUBE, BA-330 or KC-110, the GAIA SH-01 can be played and heard anywhere!

INSTANT CONTROL

The front panel puts every control directly under your fingertips. There are no hidden menus, no nonsense. Just play and move the knobs and sliders, or wave your hands over the invisible D Beam for dramatic effects. The logically designed front panel shows the signal path from left to right. It helps beginners understand synthesis, while experienced players will love the instant gratification of hands-on control during performance.

PHRASE RECORDER AND ARPEGGIATOR

Hold a note or chord and let the arpeggiator create musical magic automatically for you. The tempo can be set via tap tempo. In addition, the onboard Phrase Recorder lets you record what you play on the keyboard as well as the movements of the knobs and sliders. The controller data can also be played back independently to complement the notes you play in real time.

USB AND EXT IN

Connect directly to a computer (Mac or PC) with one simple USB cable, and stream audio directly to the software of your choice. The SH-01’s USB ports can also be used to transmit and receive MIDI data, and to store your patches and phrases (recorded with the Phrase Recorder) to a USB memory stick. For integrating with external devices, the SH-01’s EXT input lets you connect external audio sources such as an MP3-player and play along with your favorite songs or backing tracks – great for practice and live performance. Manipulate the incoming audio with three Center Cancel modes, which let you eliminate pre-recorded vocals, guitars, or bass.

Awesome drummer, Russ Miller plays through full set-ups of all the Zildjian families. From K Constantinople to ZBT and every line in between. This version has full 45 second clips of each line with a list of the cymbals in the set-up.

The Flagship with Alex Hutchings and more

Now that the BOSS GT-10 is out of production, what has BOSS upgraded in their superb line of guitar effects? The long-awaited follow up to the GT-10 has arrived! This is next-generation amp modeling that recreates vintage amps, plus new COSM tones that soar into the future. The user interface has been improved with a unique dual-LCD system, and EZ TONE has been enhanced with newly designed AMP CUSTOMIZE and OD/DS CUSTOMIZE features. The GT-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged, road-worthy unit. Click the link to see…

Watch a basic BOSS GT-100 features overview here, with narrative and Alex Hutchings. 

Guitar virtuoso Alex Hutchings performs a song with the GT-100 using an Ernie Ball Music Man AX-40 electric guitar. He plays some bluesy fusion with sweep picking and brilliant whammy technique.

Lee Wrathe gives an in-depth analysis of what’s hot about the BOSS GT-100. As Lee says, it’s 6 times more powerful than its predecessor, the BOSS GT-10. He explains how the COSM models respond to expressive playing better than ever before and much more. He plays an impeccable solo from about 2 minutes 55 seconds… Don’t miss it!

Barry van Zyl at The Royal Albert Hall

Zildjian Endorsee Barry van Zyl
with Johnny Clegg at The Royal Albert Hall

Barry van Zyl, gives a report back on Johnny Clegg’s Royal Albert Hall show, which happened on Wednesday 27th March 2013. Barry is a Zildjian endorsee and offers lessons at our Plumstead Superstore. Click this link for more on that

The place was packed out with 5500 people and a huge amount of fun was had by everyone, onstage and off! It was the first time that a South African act had headlined at this prestigious venue. Congratulations to Barry and his fellow musicians, audience, management and technical crew for making history!

Rather than trying to explain the vibe, Barry has given us a few YouTube clips which he picked out, that convey the energy of the event. Please accept the varying sound qualities for what they are, mostly mobile phone recordings! And ignore the crowd ‘harmonies’ in Asimbonanga…

We hope you enjoy!

Asimbonanga

Barry enthused: “My first Johnny Clegg concert and it was AMAZING! He sang Asimbonanga as the last song of the event. Mr. Nelson Mandela appears on-screen and dances to the song. Everybody cheered and sang along. So beautiful.”

Dance footage from the audience balcony

Barry said of Juluka Savuka at the Royal Albert Hall London: “We were treated to this enacting of a Zulu War Dance by Johnny Clegg, with a member of his Troop. His thesis was in warrior dancing in Southern Africa. This proves that Africans really do have it in their blood! Amazing energy and it really gets the crowd going… How tribal we are!”

Osiyeza / The Crossing

Barry: “I think one of Johnny Clegg’s most beautiful songs, written for his friend and Zulu warrior dance teacher and dance partner, Dudu Ndlovu, who was assisinated in 1992. Some great footage of Johnny and Dudu dancing in Zulu tribal dance competitions.”

We’ll get back to you soon with more on Barry van Zyl. Next time, we feature a trio of special drummers, from SA, who have given him much inspiration. Please consider forwarding this to anyone you feel may be interested in hearing from him, by clicking here.

Somerset West In-store Development

To improve your shopping experience…

We’ve started making alterations at our Somerset West branch so we can have lots more stock and a wider variety. At Paul Bothner Music we try to maintain a good reputation for customer service and stocking good quality gear.

We avoid weaker performance equipment that might let you down when you need it most, or the kind that never quite does what you need, even though the packaging says so. We’re experienced musicians, using a technically minded sales drive to facilitate the best outcomes for musicians who have such specialized needs. We can assist you, whether you’re a beginner or advanced.

We’ll be able to cater to your needs without sacrificing this ethos. You can look forward to a better shopping experience at Paul Bothner Music Somerset West.

New DV Village Music Endorsees – GAGE!

Gage – one of the newest bands of hot musicians to join the  DV Village Music endorsee league – is a strong force in the South African music spectrum. Their legacy includes membership in bands like the SAMA Award winners, Sunways, and work with the renowned Buchanan brothers, Mark and Ian. The latter being famous for their master-musicianship in shred, fusion, jazz  and hip hop with bands like Max Normal, Open, Chromoscience and more.

Their influences range from potent sources of music like Soundgarden, The Dave Matthews Band, The Red Hot Chilli Peppers, Fear Factory, Opeth Sepultura, Foo Fighters and Stereophonics. I’m sure you can imagine what happens when people are influenced with those riffs, drum patterns and song writing skills.

The members are, pictured left to right, Lyle Burger on guitar, Jason Horseman on vocals and drums and Russel Nathanson on bass.

When asked about their gear preferences and they had this to say:

Jason: “Rode M1 vocal mics for crisp, clear vocals 24/7! Zildjian Cymbals for tone and quality craftsmanship. They cut through the mix and sound great. I also use Zildjian drumsticks. Durability plays a HUGE role here.”

Russel: “I use a Fender 4 string Precision bass guitar. It’s a Classic Bass that still packs quality tone and has great looks. I’m moving to the Fender Rumble 350 bass amp. It has much better ‘punch’, than what I used before. It’s compact, extremely portable and great value for money!”

Lyle: “I use Jackson, Fender and ESP Guitars. I’ve been playing these for years. I also use a Randall V2 Archetype head through a Marshall 4 x 12 cabinet with Celestion Vintage 30 speakers. For effects, I go with Boss and Electroharmonix pedals. Boss has such a vast range of pedals, for any style of music! It’s been 9 years of using Boss and I’m never turning back!”

Drummer Jason’s journey in music started at a very young age. Obviously cooking on drums at an early age, his mother’s pots and pans needed to be replaced at a regular interval, as he played with a passion for tasty lines and hot beats! His father bought him his first vintage drum kit at the prodigious age of eight. From there, Jason focused his development, practising for hours every day, playing along to his favourite records, becoming what we hear today.

During his high school years some of the slightly older musicians in Kimberley heard Jason play. Consequently, he was asked to join Steel Roses, founded by Trevor Ou Tim, famous for his work in popular festival performers, Binary. Trevor, incidentally, is the brother of master-musician, Sean Ou Tim, famous for his work with Lark, Godessa, Mark Buchanan, and a slew of international and local gigs. He’s also related to Brendan Ou Tim, famous for his work with Karma-Ann Swanepoel and Peter Cohen, from Bright Blue and Bothner endorsees, Freshlyground.

When Jason played in Sunways he gained much experience as a performer at the Rand Easter Show, Oppikoppi, Splashy Fen, Southern Cross and Woodstock festivals. They were also featured on television, including Kyknet, Draadloos and Ktv. Sunways played 90 gigs in the first year and then set their sights on touring in Northern Ireland and London. Upon returning to South Africa, Sunways was awarded the coveted titles of Best Rock Album and Best Live Act at the SAMA Awards, in 2002.

Lyle is a great shredder and is proficient in knowledge of stringed instruments in general, being a specialist in this in his 9 to 5 capacity, as well. If you want to hear someone playing singeing hot lead lines and making the guitar sound like it really should, give him a listen. Loading the heavy weight tone on his Fender Precision bass, Russel is a potent musical force with a history of great performances and a solid lower range in the band’s sonic texture.

Make sure you check out Gage’s album and live gigs. Watch this space for details.

Join the Rockschool… Be All You Can Be!

For the Rockschool 2012-2018 Syllabus the team has employed some of the most sought after professional musicians to ensure that their tunes are the most authentic on offer. The pieces have been written and performed by top-flight session musicians who have worked with some of the biggest names in rock, metal and pop.

Leading Rock Exams Worldwide

Rockschool is the leading accredited provider of rock & pop exams worldwide. They offer Graded Music Exams in the principal rock instruments and Diplomas in Teaching and Performance.

Rockschool produces and examines unique music qualifications that are taught by independent teachers in schools, colleges and music centres all over the world. Rockschool music qualifications are practical, flexible and fun and are open to musicians of all ages and abilities.

Testimonials

“Rockschool is a fantastic way to obtain your music grades while having the most fun. This unique method enables musicians to do grades using music pieces written for the modern musician. Rockschool teaches you to rock”

M.Bento – Jamrock Music Performance Academy

“The Rockschool courses are invaluable in giving students a well rounded approach to playing music, both professionally and as a hobby. The pieces are excellent technical and musical challenges across a variety of genres and the inclusion of ear tests and the theoretical components gives the student a complete approach to playing music.”

J. Green – Bass teacher and National Examiner

Accreditation

The qualifications regulators of England, (Ofqual) Wales, (DfES) and Northern Ireland (CCEA) accredit Rockschool Graded Music Exams, Entry Level (Debut) to Grade 8 plus the Teaching and Performance Diplomas. The qualifications regulator of Scotland (SQA Accreditation) accredit Rockschool Graded Music Exams, Grades 1 to 8.

5 Key Features of the 2012 – 2018 Syllabus

WORLD CLASS MUSICIANS AND AUDIO PRODUCTION
Recorded at one of the UK’s top recording studios by Nick Davis, Producer (Genesis, XTC, Björk, Deep Purple)

CLEARLY DEFINED STYLISTIC DEVELOPMENT
Follow your preferred style choice through the grades

FACT FILES AND WALKTHROUGHS
Hints & Tips on the tricky parts of the tunes

INCREASE OF FREE CHOICE ELEMENT
You can now choose 2 ‘Free Choice’ pieces in your Grade Exam and 3 for your performance certificate

NEW & IMPROVED MARKING SYSTEM
Easier to understand & teach

Dates and Fees for Rockschool Graded Music Exams.

Any questions about the dates and fees can be answered by the Rockschool Representative.

Exam Dates
Rockschool exams take place 2 times a year

Candidates wishing to enter a Rockschool exam need to apply using the appropriate Entry Form. Candidates need to be entered before the exam period closing date.

Period: A

Exam Duration: 2 May – 31st May 2013 

Closing Date: 29th February 2013

Period: B

Exam Duration: 2 September – 30 September 2013

Closing Date: 30 June 2013

Tour Dates will be confirmed after the closing date

Late Entries
Late entries will be considered only if space is available. A fee of 180 ZAR is payable on all late entries.

Conditions For Moving Exam Dates
NO EXAM DATE will be moved UNLESS:

A request is made in writing not less than 3 weeks before the exam date and is absolutely dependent on space being available to accommodate a move. Moving the date will incur an admin fee of 250 ZAR.
The candidate is unable to do the exam due to illness or injury. A copy of a doctors note MUST accompany a written request enabling the candidate to defer the exam to the next sitting. No fee is incurred in this circumstance. Exams are subject to Exam Regulations.

Tour Outline
Rockschool is growing in South Africa! Exams now take place in:
Johannesburg (Alberton, Benoni, Randburg), Midrand, Pretoria, Bloemfontein, Durban, Pietermaritzburg, Port Elizabeth, George, Cape Town (central, Parklands, Bellville), Langbaan.

Graded Courses’ Dates and Fees

Fees 2013
Fees for Guitar, Bass, Drums, Vocals, Piano and Band Based Keys.

Grade Fee

• Entry Level (Debut) 485 ZAR
• Grade 1 540 ZAR
• Grade 2 610 ZAR
• Grade 3 650 ZAR
• Grade 4 750 ZAR
• Grade 5 805 ZAR
• Grade 6 920 ZAR
• Grade 7 950 ZAR
• Grade 8 1,020 ZAR

Band Exams Fees
Band exams are only offered at Grades 3, 5 and 8. Please note that the prices listed below are per candidate.

Grade Fee

• Grade 3 230 ZAR
• Grade 5 270 ZAR
• Grade 8 350 ZAR

Dates and fees for the Rockschool Teaching and Performance Diploma

Dates
Performance Diploma entries must be submitted before the exam period closing date.

The Teaching Diploma is made up of Unit 1 and Unit 2.

- Unit 1 is the submission of a portfolio and must be submitted by one of the closing dates

- Unit 2 is a practical exam and will take place within the next exam period after the submission of Unit 1.

For Example: Unit 1 is submitted by the closing date for period A, then the Unit 2 practical exam will be within the exam duration of period A.

Period: A

Exam Duration: 2 May – 31st May 2013 

Closing Date: 29th February 2013

Period: B

Exam Duration: 2 September – 30 September 2013

Closing Date: 30 June 2013

Tour Outline
Diploma exams will take place in Johannesburg, Durban, Port Elizabeth and Cape Town.

Fees
Performance Diploma Fees must be paid prior to entry on the diploma.

Qualification Fee

• Performance Diploma – Level 4 2,500 ZAR
• Performance Diploma – Level 6 3,500 ZAR

- Candidates can register on the Teaching Diploma at any time.

- Teaching Diploma fees must be paid at the same time that the candidate registers.

- At the time of entry Candidates must pay either the fee for Unit 1 OR the total fee.

- If the Candidate only pays for Unit 1, then Unit 2 must be paid in full by the closing date.

• Qualification: Teaching Diploma –  Level 4. Unit 1 Fee: 1,500 ZAR Unit 2 Fee: 1,500 ZAR Total Fee: 3,000 ZAR
• Qualification: Teaching Diploma – Level 6. Unit 1 Fee: 2,250 ZAR Unit 2 Fee: 2,250 ZAR Total Fee: 4,500 ZAR

Watch Jason Bowld play a Grade 7 piece, called Razorhead 

Entry Forms

How To Enter A Graded Music Exam or Diploma Exam:

To enter a Rockschool Graded Music Exam or Diploma Exam, complete and send the appropriate entry form by:

FAX: 086 524 8256
EMAIL: southafrica@rockschool.co.uk
POST: Rockschool Exam, 3 New Road, Fontainebleau 2194
Preferred payment is EFT (electronic fund transfer).

Cash and cheque payments: We no longer accept payment sent in the form of cheques or cash by post. Rockschool will not be responsible for deposit and you should deposit these into the Rockschool account at any FNB, sending us the original deposit slip with your entry form.
Cheques must be made payable to GLV Management CC.
Banking details and the postal address can also be found at the top of all entry forms.

Individual Grade or Performance Certificate Exam Entry Form

(111KB, 2 pages, .pdf)
This entry form is tailored for individuals wishing to enrol on either a Grade Exam version or Performance Certificate version of a graded music exam qualification.

Schools Grade or Performance Certificate Exam Entry Form

(111KB, 2 pages, .pdf)
This entry form is tailored for teachers & schools wishing to enrol their students on either a Grade Exam version or Performance Certificate version of a graded music exam qualification.

Individual Grade or Performance Certificate Exam Entry Form

(111KB, 2 pages, .pdf)
This entry form is tailored for band exam candidates wishing to enrol their band on a Rockschool band exam.

Graded Music Exam Resources

Resources
Graded Music Exams resources are available on the Rockschool UK site. 

The resources available are:

• Audio Remixes
• Free Choice Piece Criteria
• Example General Musicianship Questions
• Syllabus Guides
• Grade Book Errors
• Rockschool works hard to produce Grade Books of the highest standard, but sometimes errors do happen. Those errors are corrected on the Rockschool UK site and broken down by instrument.